Adventure / Drama
The story begins when Sinbad and his friends run afoul of a storm while riding on the ship Bahal. Ali sights an island, which the ship heads toward to make repairs. Sinbad and Sana board a dinghy and land on the island. Sana sees a vision of a magical lamp, and Sinbad and the…
1 available episode
Adventure / Drama
The story begins when Sinbad, the sailor made famous in the One Thousand and One Nights (Arabian Nights) stories, dreams of voyaging to an unknown world. He and his pet monkey Mimi encounter Sana, a girl riding a flying wooden horse. "The wind shifted…." (Source: Anime News Network)
Adventure / Drama
The search for Sana’s comrades continues. Sara who opens up her heart to Sinbad reveals her horrible story of how her father’s apprentice Galip destroyed the peaceful kingdom and her family by using the wizardly power. Suddenly the Magic Lamp shows the passage “to the Wonder Gate to the land of ancestors that appears in the Night at High Noon,” but Galip’s solders block their path. (Source: Anime News Network)
Action / Adventure
Lupica, another one of the legion of space princesses that all seem to have found out about Earth in some tour book, appears and abducts Ataru! But Lupica isn't after Ataru for his great looks or charming personality (because he doesn't have either). Lupica's goal is the greatest love potion in the galaxy, which she intends to use to induce her sweetheart to tie the knot. To get it, she needs the possessor of the greatest lust in the universe... (Source: AniDB)
Adventure / Fantasy
This film stays very faithful to the original down to the smallest details, save for the kangaroo-rat that suddenly appears twenty minutes into the movie and subsequently follows Aladdin around, serving no purpose in the story but fulfilling the role of token animal mascot. The screenwriter needs no introduction; Akira Miyazaki single-handedly wrote five of the classic WMT series, including Perrine and Rascal, and participated in two others. The only other name among the staff that rings a bell, though, is Yukihide Takekawa, who was responsible for the music in the magnificent and unknown Unico pilot film. The story takes some illogical and confusing jumps at the point where Aladdin begins to court the princess, and the extravagant animation that had characterised Toei films of the 60s, when Toei had the best animators around, had become a thing of the past long before this point; but this is still an above-average film, in large part because of the screenplay that stays so faithful to the original. The character designs are slightly more western-looking than one is accustomed to seeing in anime. (Source: pelleas.net)
