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Thief Gaston Monescu and pickpocket Lily are partners in crime and love. Working for perfume company executive Mariette Colet, the two crooks decide to combine their criminal talents to rob their employer. Under the alias of Monsieur Laval, Gaston uses his position as Mariette's personal secretary to become closer to her. However, he takes things too far when he actually falls in love with Mariette, and has to choose between her and Lily.
Young bricklayers Franta Doubrav and his friend Béla meet two girls, Mařka and Vlasta, on their way back from a friend's wedding, but they only manage to call them by their name and the construction site they are currently working on. Imagine their surprise when they discover that Mařka is a trained bricklayer who has joined Franta's father's work crew, where she proposes a new way of working that will help catch up on the construction delays. As a young girl, however, she must first deal with the distrust of the older and more experienced bricklayers.
A new owner of the estate, Konrád Ritter von Schiess, arrives in the Czech village of Sluky. On his orders, the inhabitants of the village are to be evicted and only 30 families are allowed to remain, who volunteer to work on the estate. However, the inhabitants refuse to work for the lords, and their solidarity only strengthens when one of them is murdered by the Gestapo based on a report by the estate manager Prokeš...
An alcoholic ex-football player drinks his days away, having failed to come to terms with his sexuality and his real feelings for his football buddy who died after an ambiguous accident. His wife is crucified by her desperation to make him desire her: but he resists the affections of his wife. His reunion with his father—who is dying of cancer—jogs a host of memories and revelations for both father and son.
Comedy in five acts by Beaumarchais, filmed by Marcel Bluwal in studio and on location. The cast, in accordance with Marcel Bluwal's wishes, is in keeping with the age and character of the characters, to give it rhythm. At once "a comic baroque play, a bourgeois drama, a chansonnier's number, a social satire, a farce and a very pretty love story" according to Marcel Bluwal, it can also be summed up, according to Beaumarchais, as "the most bantering of intrigues".
