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A small rural township called Red White was seriously devastated by the May 12th Earthquake in China 2008. A 62-year-old Taoist survived even though his temple was largely torn by the disaster. This documentary tells the story of how the Taoist practices the widely believed Chinese traditional religion and the local people’s daily life during the township’s post-quake reconstruction.
The documentary Building Archeology (jiànzhú kǎo) (2011) considers the more recent past. It’s made up of three vignettes about different buildings in Beijing: a museum, an abandoned hospital, and a detention center. The latter two vignettes are especially interesting. In the second, a woman wanders around the ruins of a hospital built in a week to deal with the 2003 SARS outbreak. The third concerns a former prisoner, tracing out a map of the detention center where he was held in 2011.
Geomancy is to say hinding winds to gain water. The earth is mother , burial brings peace to the deceased, symbolizing reincarnation. So the name of this story in English is “Revive”, which means getting into the cycle of reincarnation. The documentary is going to tell a story contains several elements such as Geomancy of compass, Hakka funeral and interment culture, General om teach, Seance. Moreover, it also porse deeply on the floating life with fleeting time- the sanguine life of a wise man in countryside. This is an old man whose life is full of hardships, he possesses real learning and stories, owns peace after overcoming severe difficulties, and has the special graciousness as being in such an age…
The artist works around the different individual experiences which consolidates the different changes in the body while examines intimate relationships under the structure of the disease, all by making her experience visible and public. Within the realms of Ruijing’s discussions, she hopes for the work to push the boundaries of the marginality of the body, for the work to allow oneself to look at their and others’ body in an objective manner that escapes the ontological. She further wished for the experience of living and the reflection on the mass would help the discovery of the self and its connection with society, while reflecting on life itself by doing so.
New Castle is a remote rural village where houses and mountains have been distorted due to excessive mining. Under the "New Village" campaign, all the villagers will be moved into the nearly completed Luxury Buildings. The documentary depicts the life of two groups of people, miners and villagers. The miners who are from all over the country, lost their jobs because of the Olympic Games in Beijing - the mine was shut down to make the air less polluted. The villagers had no better luck. Granny Fan lost two sons and two grandsons in a mining accident. Old Han and Old Wang are still farming. Some youngsters are gambling in the house of Han Bin, who was crippled in another mining accident. In the film, you can also see the village election, the service of local Christians, and people worshipping for a better year to come.
A Yangtze Landscape utilizes a non-narrative style, setting off from the Yangtze's marine port Shanghai, filming all the way to the Yangtze River's source, Qinghai/Tibet - filming a total distance of thousands of kilometers. Experimental music and noise recorded live on scene are used in post-production, painstakingly paired with relatively independent visuals, creating a magically realistic atmosphere contrasted with people seeming to be 'decorative figures' right out of traditional Chinese landscape scrolls.
Seedlings protection rite (also called the parade of big rice dumplings) is a spring agricultural festival of Hakka people in Western Fujian, China. People worship the God of Grains (Shennong) in the rite. People collect thousands of fresh bamboo leaves, sew them together and make a pair of big dumplings filled with 120 kilograms of rice each. They also make tens of thousands of finger-sized rice dumplings for believers to take home. On the 15th day of the 2nd lunar month, villagers carry out the statues of the God of grains and big dumplings. Followed by flowers cars, eight sheds carry children chosen from every clan name in the village who are dressed up as ancient heroes, as people parade around the village. After the rite, villagers believe that farmland is awakened and that disasters are averted. A new agricultural cycle begins.
In order to face his 30th birthday, the author of the film began to implement a long-planned plan for the Dragon Boat Festival, bringing a dog, a computer, some vegetables and eggs to the dilapidated yard on the north side of the mountain in Pingyao County, where he will live alone for more than a dozen. Day and night, organize and pack the first half of my life, recall and think, talk with the self in the device, and smoke, silence, think or sing with the middle-aged neurotic who comes to ask for cigarettes every day.
