Self
A documentary that explores the dangerous and sometimes deadly world of fake products. An industry that once dealt in imitation designer handbags and shoes has exploded into a global epidemic of counterfeit pharmaceuticals, foods, toys, electronic goods, car parts and microchips. COUNTERFEIT CULTURE challenges consumers to take a deeper look at what appears to be harmless knock-offs at bargain prices.
In this film, Laerte conjugates the body in the feminine, and scrutinizes concepts and prejudices. Not in search of an identity, but in search of un-identities. Laerte creates and sends creatures to face reality in the fictional world of comic strips as a vanguard of the self. And, on the streets, the one who becomes the fiction of a real character. Laerte, of all the bodies, and of none, complicates all binaries. In following Laerte, this documentary chooses to clothe the nudity beyond the skin we inhabit.
Today, few people's clothes attract as much attention as the royal family, but this is not a modern-day paparazzi-inspired obsession. Historian Dr. Lucy Worsley, Chief Curator at Historic Royal Palaces, reveals that it has always been this way. Exploring the royal wardrobes of our kings and queens over the last four hundred years, Lucy shows this isn't just a public fascination, but an important and powerful message from the monarchs. From Elizabeth I to the present Queen Elizabeth II, Lucy explains how the royal wardrobe's significance goes far beyond the cut and color of the clothing. Royal fashion is, and has always been, regarded as a very personal statement to reflect their power over the reign. Most kings and queens have carefully choreographed every aspect of their wardrobe; for those who have not, there have sometimes been calamitous consequences. As much today as in the past, royal fashion is as much about politics as it is about elegant attire.
The film documents modern slave trade through a number of African countries, under dictatorship rule. The filming was conducted both in public places, and sometimes with the use of hidden cameras, for high impact scenes of nudity, sex, and violence - and a few surprises, as slaves made out of peregrins to Asia, and slave traders paid in traveller checks.
It was 24 hours with him. I saw him shake his ass with a friend. Scrubbing tile corners. Have egg salad for lunch. Buy cleaning products. Rehearse in the studio. Playing with children on the grass. In a huge theatre, review texts about scenes of decolonization. Smoke one, or two. Problematizing on the bus. Undressing on the couch in my house. Sleeping without fitting into the bed because you are too tall. I saw the sun bursting on your skin in the morning and said goodbye. I thought a standard session wouldn't encompass the complexity of an intimate recording. So I was his voyeur for 24 hours. Uninterrupted.
This is a poetic film about The Penis becoming a diary with a unique story to tell. Penis Poetry is made in collaboration with Andre Medeiros Martins who wrote on his lovers' penises his personal thoughts. Andre's words reflect how much our modern society glorifies the exhibition of The Penis, how much we worship it and how much social media and apps allowed us to share our most private parts with the world.
