Kazoku gokko

It's Ted the Bellhop's first night on the job...and the hotel's very unusual guests are about to place him in some outrageous predicaments. It seems that this evening's room service is serving up one unbelievable happening after another.

What is “Slovakia”? How to explain the notion of “Slovakia” of the past 20 years to an unknown stranger, a visitor from another planet? What is the genetic makeup or the software for “Slovakia”? How to use it? How does it change? Slovakia 2.0 is a film about twenty years of independent Slovakia as seen from the perspective of ten film directors. It is composed of ten 10-minute films of different genres ranging from drama, through animation and documentaries, to experimental film. The ten recognised film directors who offer an answer to what is Slovakia include a wide range of generations, views and genres, namely Juraj Herz, Martin Šulík, Peter Kerekes, Zuzana Liová, Mišo Suchý, Ondrej Rudavský, Iveta Grófová, Peter Krištúfek, Viera Čákanyová, and Miro Jelok.

The world becomes unpredictable when the pandemic happens. But in the face of despair, people put aside reasons and stop worrying. For these couples from Malaysia, Indonesia, and Korea, even love blossoms. They embrace each other and cling to one another desperately and fearlessly. Kuala Lumpur, Jakarta, and Seoul. Three couples in three cities in three countries: The paths of a telemarketer for a loan company and a cart rink owner are destined to cross. A pub owner and a woman with their own background stories. A virgin forklift operator who has never kissed before and a kiss-for-sale manager.

Three different scenarios, intercut, all using the same words but with very different meanings. A corrupt cop is more interested in the money on the criminals he catches than justice; a young woman discovers she's pregnant, and her boyfriend is unfeeling; and a young man calls a prostitute it's the first time for both, and neither can go through with it. Ultimately, all the stories come together.

Siblings find their dead uncle's secret stash VHS tapes. The tapes feature sick solicitors, gruesome dares, patricide, demonic technology, monstrous fruit and many more horrors. As they eagerly watch each of these shocking, bizarre, comedic and bloody movies, little do they know that they are conjuring something very ghoulish and gruesome. In the tradition of horror anthologies like V/H/S.

This film contains three short stories about life in Australia in the 1950's.

Five stories center on a werewolf, a feudal landlord, peasants, a ghost, and a mother and her sons.

Emmy is babysitting Rhian and Sophie on Halloween night when Rhian demands a scary bedtime story. Sophie, Rhian's teenage sister, joins them for a story after some playful goading by Emmy. After each tale, the girls request another until they find out that sometimes you should be careful what you wish for. Haunting Tales is a Thriller/Horror anthology that explores different stylistic stories from Avant-garde and Hitchcockian Black Comedy to the tried and true Psychological Thriller.

The rituals of courtship, romantic rivalry, and love play out three times as a man vies with a villain for the girl. In the Stone Age, the rivalry is set off by dinosaurs, a turtle used as a ouija board, and a round of golf with stones. In ancient Rome, the men display their brawn through a chariot race, using dogs instead of horses. In contemporary times, the man finds himself overcome by modernity, including a very fragile car.

Created by the members of a Nairobi-based arts collective — who have removed their names from the film for fear of reprisal — this anthology film that dramatizes true-life stories from Kenya’s oppressed LGBTQ community is both a labour of love and a bold act of militancy.

The anthology consists of 4 short feature films: "Postscriptum", "His Father", "The Gift" and "The Black Garden".

Commissioned to mark the 60th anniversary of the Cannes Film Festival, "To Each His Own Cinema" brought together 33 of the world's pre-eminent filmmakers to produce short pieces exploring the multifarious facets of cinema and their perspective on the state of their chosen artform in the early 21st century.