Nani Ma

The Volunteer Archivists tells the story of Srujanika, a volunteer-led collective in the Indian state of Odisha that archived some of the rarest printer publications published in the last 200 years. The archive — Odia Bibhaba — now houses over 10,000 books and hundreds of magazines, newspapers, and dictionaries that otherwise would have been lost forever due to collective negligence and the poor state of digitization by the state archives.

A Carefree Artist confronts The Pioneer of Odia literature Byaasakabi Fakir Mohan, to lament about the current state of the Odia Language and how it has been looked down upon by the elites of the state. Will his voice be heard?

A man from lower social background qualifies and gets an administration job and to match his higher social occupation, he leaves his family, friends, and fiance. But gradually he understands his mistake and returns for his people. Finally he finds his wrong decision for the mining in his village has lead to the destruction and down fall of his people and everyone lives the village and him behind alone.

In every family, there is a guiding force, the Murabi. This Odia feature film explores the collision and convergence of two contrasting philosophies: one rooted in discipline and control, the other in joy and freedom. As life brings these worlds together, the story unfolds into a heartwarming journey that challenges, inspires, and ultimately redefines the true meaning of family, love, and togetherness.

"Randi Pua Ananta" follows the journey of Ananta, a notorious troublemaker who undergoes a remarkable transformation into a selfless hero. When a devastating flood threatens his village, Ananta makes the ultimate sacrifice to save his people, proving that redemption can come in the most unexpected ways.

A rural village never wanted to be a city’s landfill or a distant blur in Reels but rather home to new imaginations. Bringing Down a Mountain dissects the intersecting themes of access, abolition and caste through the experiences of residents of a rural village and that of a hyper-urban city. The film follows the village residents’ dreams—of mobile data, digital payment and relief from menial work. What happens when the landfill is full, and dreams want to break free?

Stephen Glass is a staff writer for the respected current events and policy magazine The New Republic and a freelance feature writer for publications such as Rolling Stone, Harper's and George. By the mid-90s, Glass' articles had turned him into one of the most sought-after young journalists in Washington, but a bizarre chain of events - chronicled in Buzz Bissinger's September 1998 Vanity Fair article - suddenly stopped his career in its tracks.

Buck Weaver and Hap Felsch are young idealistic players on the Chicago White Sox, a pennant-winning team owned by Charles Comiskey - a penny-pinching, hands-on manager who underpays his players and treats them with disdain. And when gamblers and hustlers discover that Comiskey's demoralized players are ripe for a money-making scheme, one by one the team members agree to throw the World Series. But when the White Sox are defeated, a couple of sports writers smell a fix and a national scandal explodes, ripping the cover off America's favorite pastime.

An upcoming documentary project.

On December 3, 2024, in Seoul, the President of South Korea Yoon Sukyeol declares the martial law. Troops move toward the National Assembly to seize control. Meanwhile, citizens rush to the National Assembly to block the troops, while lawmakers break through police's barricades at the main gate, climb over the walls to attend the session that lifts the martial law.

On October 16th, 1958, a family fled Indonesia. They spent a month at sea aboard the M.S. Sibajak on a voyage to The Netherlands. When they arrived, it was getting winter. Coming from the tropics, the cold was a shock. The family quickly noticed that the spirits who had always been with them in Indonesia were no longer there - they had left them along the journey.

Documentary about Berlin's "Salon Kitty," a brothel that was systematically used by the Nazis for espionage. The owner's daughter took over the premises in 1953 and gradually converted them into an artists' guesthouse. In the early 1990s, her grandson tried unsuccessfully to set up a guitar school, and since then the guesthouse has mainly accommodated asylum seekers. Rosa von Praunheim traces the history of the house in conversation with prominent contemporary witnesses.