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Dedicated to the portrait work of Paul Cézanne, the exhibition opens in Paris before traveling to London and Washington. One cannot appreciate 20th century art without understanding the significance and genius of Paul Cézanne. Filmed at the National Portrait Gallery in London, with additional interviews from experts and curators from MoMA in New York, National Gallery of Art in Washington DC, and Musée d’Orsay in Paris, and correspondence from the artist himself, the film takes audiences to the places Cézanne lived and worked and sheds light on an artist who is perhaps one of the least known and yet most important of all the Impressionists.
It was the spring of 2010 when I discovered that I was ill with leukemia. I was 29 years old and had never been in a hospital before. The fear, the chemotherapy, the waiting. After six months, everything seemed to be getting better, and a year and a half later, my first daughter, Nora, was born. So, three years later, I decided to return to the ward where everything had begun, to try to make sense of what had happened to me. Inside those rooms, I met Sabrina, who was going through what I had experienced. "Leucemia" is the story of our meeting, our journey together, and our shared experiences. It is the story of our friendship and our leukemia. (The author)
An emotional and inspiring journey, this episode focuses on Sir Chris Hoy and his battle with terminal cancer. Known for his incredible achievements as a six-time Olympic gold medallist, Hoy now shares how the mental strength he developed in sports is helping him face this challenging time. Viewers will get an inside look at Hoy’s life as he navigates his diagnosis in 2024. The episode features candid moments with Hoy and his family, providing a glimpse into their experiences and feelings.
For Every Apricot drifts through the shifting terrain of memory, illustrating a grandmother’s journey in search of a “miracle drug” to cure her father’s illness. What begins as a simple family story, unfurls into a meditation on aging, fragility, and the circinate patterns that shape life. Through live-action interview, 16mm and 8mm archival footage, and a tapestry of handcrafted animation, the film moves between what is remembered, what is imagined, and what time has eroded. As she reflects on her father’s illness alongside her own, For Every Apricot becomes a deeply personal family portrait.
Filmmaker Judith Helfand turns the camera on herself to document her battle with cancer caused by DES, a drug prescribed to her mother during pregnancy. Refusing to confine the tears, rage, laughter and hope to dinner table conversations, Helfand invites us to witness her personal journey from radical hysterectomy patient to vocal opponent of toxic exposure. From her suburban home to the halls of Congress, the intensely private becomes widely public, and an American family is transformed and strengthened.
The documentary's title translates as "to be and to have", the two auxiliary verbs in the French language. It is about a primary school in the commune of Saint-Étienne-sur-Usson, Puy-de-Dôme, France, the population of which is just over 200. The school has one small class of mixed ages (from four to twelve years), with a dedicated teacher, Georges Lopez, who shows patience and respect for the children as we follow their story through a single school year.
