Mulher
Andrea and the simbionte travel to Toledo; when they arrive, they find a lonely bus station, which slowly turns off the lights for them. In the silence that surrounds them, Andrea watches the moment pass and with it her certainty about her future dream with the simbionte, feeling that everything she experiences is actually a memory.
On the rooftop of a house in Lima Norte, Francia and Amelia come together for a conversation that goes beyond the everyday, sharing profound reflections amid the cracks of the Carabayllo district. Though they appear confident, they conceal a shared pain and a lingering sense of lost identity. As the sun sets, the shadows reveal their emotional scars, shaped by the struggle to find their place in an excluding society. In this encounter, they confront their most intimate truths, shedding social masks and revealing the complexity of their being in a constant search for connection and belonging in a world that harasses them.
A young man performs 'pranayama' sitting against a bleak wall. We observe him through a frame that seems to be connected to him in some way. As we go on to witness the nature of the frame, will the images presented to us be able to convey his intentions, thoughts, and ultimately, his fate? This experimental feature film is comprised of 7 parts of black and white imagery with no sound at all.
The story of a girl, after a breakup, removing her makeup and finding herself again in grief. About life, places, being yourself wherever you are, in love, and not losing yourself, moving through things. "Balaclava Quemado is about not ceasing to be yourself no matter what situation you find yourself in; with or without wearing it, it's the strength to keep going, it's a bit of a symbol of taking the freedom that one can and carries within." Daniela.
