I'll See You Again

Poet, rapper, playwright and recording artist Kae Tempest is one of the most viscerally exciting artists working in Britain today. They are the youngest ever recipient of the prestigious Ted Hughes prize and have been nominated for both the Brit and Mercury music awards. Tempest has always found support and respect within the queer art scenes, a place close to their heart. In July 2020, they came out as non-binary, announcing that they would publish and perform under the name Kae. This film delves deep into their creative process and gains rare, intimate insights into Kae’s life throughout a period of profound personal and artistic change.

In the foundation of the culture of Japanese MANGA and animation, there lies the humor filled art form, shunga. Shunga is a type of Japanese art by famous ukiyo-e artists of the Edo Period, such as Utamaro, Hokusai, and Kiyonaga, but the artform’s development was thwarted by social norms that tabooed sex. The film Introduces the world of shunga through enthusiasts - collectors, curators, and scholars, including Andrew Gerstle who inspired The British Museum’s historical shunga exhibition in 2013 and Michael Fornitz who owns an auction house in Denmark. Exploring the significance of shunga by analyzing it from historical, cultural, artistic and contemporary female points of view.

The highest mountain range in the world, the Himalayan range is far reaching, spanning thousands of miles, and holds within it an exceptionally diverse ecology. Coniferous and subtropical forests, wetlands, and montane grasslands are as much a part of this world as the inhospitable, frozen mountaintops that tower above. The word Himalaya is Sanskrit for abode of snow, fitting for a stretch of land that houses the world’s largest non polar ice masses. Extensive glacial networks feed Asia's major rivers including the Ganges, Indus, and Brahmaputra. More than a billion people rely on these glacier-fed water sources for drinking water and agriculture. The Himalayas are not only a remarkable expanse of natural beauty. They're also crucial for our survival.

Various amphibious pond dwellers, including grass frogs, tree frogs, common toads and other amphibians are shown moving around, feeding, mating, fertilizing and evolving. Also on display are natterjack and midwife toads, yellow-bellied toads and water frogs.

The biodiversity of a pond, which is already endangered in many places, is shown. The individual specimens are introduced over the course of an early summer's day. The highlight is the frog concert at night.

Poème Électronique is an 8-minute piece of electronic music by composer Edgard Varèse, written for the Philips Pavilion at the 1958 Brussels World’s Fair. The Philips corporation commissioned Le Corbusier to design the pavilion, which was intended as a showcase of their engineering progress. The pavilion was shaped like a stomach, with a narrow entrance and exit on either side of a large central space. As the audience entered and exited the pavilion, the electronic composition Concret PH by Iannis Xenakis (who also acted as Le Corbusier's architectural assistant for the pavilion's design) was heard. Poème électronique was synchronized to a film of black and white photographs selected by Le Corbusier which touched on vague themes of human existence.

A day in the life of Giovanni Granati, an Italian falconer and wild animal trainer who lives in the unspoiled countryside of Abruzzo, alongside his hawks, eagles, wolves and other incredible creatures.

Near the cold Pyrenees of Iberia, surrounded by ancient and dark green forests, lies a strange land where the rain is scarce and the wind is always blowing. The soil is poor, there are no trees and the landscape resembles the moon. Is this what the future of desertification will look like? Incredible creatures with surprising behavior live in this strange landscape. The documentary explores a place with very dry skin but a wet hidden heart where even waterfowl or amphibians can live. Living in such conditions is not easy and only the toughest animals will survive.

Translated literally as "Animals in Love," the French-language documentary Animaux Amoreux depicts various species of the animal kingdom in courting, mating and reproduction activities. Laurent Charbonnier directs.

In this film, Laerte conjugates the body in the feminine, and scrutinizes concepts and prejudices. Not in search of an identity, but in search of un-identities. Laerte creates and sends creatures to face reality in the fictional world of comic strips as a vanguard of the self. And, on the streets, the one who becomes the fiction of a real character. Laerte, of all the bodies, and of none, complicates all binaries. In following Laerte, this documentary chooses to clothe the nudity beyond the skin we inhabit.