Gujjubhai E Gaam Gajavyu

Tiago Guedes returns to Dennis Kelly, the British playwright with whom he has already enjoyed success in his dizzying descent into the depths of human complexity. After Órfãos, the director and stage director now tackles The Ritual Slaughter of Gorge Mastromas, a 2013 text about the banality of evil in the person of the man that Kelly's play scrutinizes in retrospect: "Existence is not what you thought it was until now. It is not honest, it is not kind, it is not fair. Most of the world has no idea about this; they believe in God, or Daddy, or Marx, or the invisible hand of the market, or honesty, or kindness. They go through life with their eyes closed, getting beaten up and screwed over. He's like that. You're like that. But a tiny part of us, let's call ourselves the resistance, knows the true nature of life. The world is ours for the taking. We are powerful and rich and have everything, because we will do whatever it takes.

Unpolished and ultra-pragmatic industrialist Jean-Jacques Castella reluctantly attends Racine's tragedy "Berenice" in order to see his niece play a bit part. He is taken with the play's strangely familiar-looking leading lady Clara Devaux. During the course of the show, Castella soon remembers that he once hired and then promptly fired the actress as an English language tutor. He immediately goes out and signs up for language lessons. Thinking that he is nothing but an ill-tempered philistine with bad taste, Clara rejects him until Castella charms her off her feet.

In 1415, in the midst of the Hundred Years' War, the young King Henry V of England embarks on the conquest of France.

Bruno and Florence invited Sophie and Alex for the evening, but nothing goes as planned between the successful author, the brilliant entrepreneur and their respective wives, two sisters. Contradictions, anxieties, bad faith and pettiness come around the table. A delightful cascade of incidents quickly transforms the family reunion into a crazy night where secrets, bottles and unsaid are shattered until the two couples, caught in an irresistible whirlwind, formulate the most unexpected.

A comedy musical stage version of the Phantom of the Opera, filmed live on-stage during a performance in Florida.

Don Felice Sciosciammocca, a poor and simple man, goes to the day, hoping that sooner or later will come the right opportunity to change his life. A nice day at Don Felice comes a parcel from a dear cousin, which contains three pairs of old trousers. Apparently only common value objects, but they will create great surprises.

Happy Sciosciammocca has a double life: he plays sacred music in the convent of Rondinelle and teaches music to the educators, at night he goes to Naples where he is known as the actor.