Návrat do pekla

Amol, a child, is confined to his adoptive uncle's home by an incurable disease. He stands in the courtyard and talks to passers-by and inquires about the places they go to. The construction of a new post office nearby prompts the imaginative Amol to fantasise about receiving a letter from the King or being his postman.

A raucous, angry exorcism of relationships and assorted fears, shadowed by the Big One: the plague of AIDS.

"Man Hastam" is a unique adaptation of the Ferdowsi's tragic drama "Rustam-o-Sohrab". The play opens with Shah of Turan, Afrasiyab who is guided by the Prophet Paisgoh in an attempt to retain his throne. Raised in darkness, Sohrab is unaware of his genuine lineage and turns into a soldier looking for his father, whom he believes to be the finest of all warriors. Under Paisgoh's direction, the Shah stages a fight between the legendary Persian hero, Rustam, and his own son, Sohrab, both unaware of their relationship. Themes of manipulation, destiny, identity, and the terrible might of war are investigated in the play. It explores the human cost of political scheming and the terrible effects of misinterpretations. With its deep emotional resonance, "Man Hastam" is a meditation on the inevitable clash between personal honor and the manipulative forces that drive individuals to conflict.

In a miserable, freezing two-room apartment on the first floor of a building, the Ruòppolo family lives in complete poverty. Giovanni, a clerk, struggles against a thousand difficulties to make ends meet, while his wife, Cristina, takes care of the housework.

A boy who was once a perpetual outcast finds friends in a new boarding school. United with his new peers, he gets involved in a heated rivalry with a group of students from a neighboring school.

Unpolished and ultra-pragmatic industrialist Jean-Jacques Castella reluctantly attends Racine's tragedy "Berenice" in order to see his niece play a bit part. He is taken with the play's strangely familiar-looking leading lady Clara Devaux. During the course of the show, Castella soon remembers that he once hired and then promptly fired the actress as an English language tutor. He immediately goes out and signs up for language lessons. Thinking that he is nothing but an ill-tempered philistine with bad taste, Clara rejects him until Castella charms her off her feet.

A comedy musical stage version of the Phantom of the Opera, filmed live on-stage during a performance in Florida.

Tiago Guedes returns to Dennis Kelly, the British playwright with whom he has already enjoyed success in his dizzying descent into the depths of human complexity. After Órfãos, the director and stage director now tackles The Ritual Slaughter of Gorge Mastromas, a 2013 text about the banality of evil in the person of the man that Kelly's play scrutinizes in retrospect: "Existence is not what you thought it was until now. It is not honest, it is not kind, it is not fair. Most of the world has no idea about this; they believe in God, or Daddy, or Marx, or the invisible hand of the market, or honesty, or kindness. They go through life with their eyes closed, getting beaten up and screwed over. He's like that. You're like that. But a tiny part of us, let's call ourselves the resistance, knows the true nature of life. The world is ours for the taking. We are powerful and rich and have everything, because we will do whatever it takes.

A police drama that chronicles the efforts of a police officer to uncover an unexplained murder case that blends the lives of two women and a theater actor, the victim of an "artistic" shot, part of a play.

In their songs, comedy and exuberant music, a travelling theatre company give a fiercely polemic account of Scottish history, from the aftermath of Culloden to the oil boom. Their production before a live audience is intercut with filmed reconstructions of the Highland Clearances and the Victorian obsession with hunting stags.

A man thinks he is not the father of his presumed daughter.