I Did Not Want to Make a War Film

Since the uprising of a pro Russian insurgency in eastern Ukraine in 2014, hundreds of women joined the army. Only a few made it to the front line. Filmmaker Masha embeds herself in the war zone to follow the daily life of three of them. By sharing the intimacy of these fighters, Masha soon becomes a victim of this brotherhood conflict jeopardizing this film and her life.

From May 10, 1940, France is living one of the worst tragedies of it history. In a few weeks, the country folds, and then collapsed in facing the attack of the Nazi Germany. On June 1940, each day is a tragedy. For the first time, thanks to historic revelations, and to numerous never seen before images and documents and reenacted situations of the time, this film recounts the incredible stories of those men and women trapped in the torment of this great chaos.

Where the Wind Blew, looks at the legacy of nuclear bomb testing during the Cold War in Kazakhstan (USSR) and Nevada (USA) told through the eyes of the victims, activists and participants.

As filmmaker Maria Carolina Telles comes to terms with the death of her father, a man who regretted never making it to the frontlines of World War II, she focuses her lens on the life of another man who had his own unique experience as a civilian in the midst of combat: award-winning war photographer André Liohn.

In the polyphony of voices, a search for home unfolds. What is home? What is its purpose? Is there anything bigger than home? What are the sounds, colours, and smells that let it live in our memory? The collective and the individual is expressed through the voices of those who lost it in the Russian war in Ukraine. Associations, memories, meanings: four letters, four hundred things between them — home.

A documentary about the horrific and destructive war that is currently taking place in Ukraine. The film tells the true stories of Ukrainians who have been forced to flee their homes, lose loved ones, and live in fear for their lives. It is a story about the courage, strength of will, and resilience of the Ukrainian people.

In 2025, satellites recorded wildfires sweeping through the hills of Hollywood, shifting battle lines in Ukraine, and nearly 600 million people assembling for a sacred pilgrimage along the River Ganges. From orbit, imagery exposed the vast displacement of civilians in Gaza, while reconnaissance satellites traced covert weapons transfers from North Korea to Russia. Scientists also relied on satellite data to count migrating wildebeest and walrus, monitoring the planet’s health. Combined with news archives, eyewitness accounts, user-generated content, and expert analysis, these views from above reveal the hidden story of 2025.

A reckoning of Nazi Germany’s planned execution of its own citizens with physical and mental disabilities whom they deemed useless to their society.

The movie explores the origin of the Ukrainian language and persecution of those who defended its authenticity. Using examples of other countries, creators of the film prove that a nation cannot exist without a language.

When American Peter Duke joined a convoy from Estonia to Kyiv to deliver critical aid to Ukrainian troops, he unexpectedly discovered a country echoing the spirit and unity of America's birth in 1776. Duke witnessed the people involved in this struggle up close revealing remarkable acts of selflessness and purpose that transcended borders and politics. It changed his perception of the conflict and himself. He returned home, impassioned and determined to do more. He shared his story with his friend Keith Ori, and it ignited a mission purpose for them both!

The film follows five people who lost their sight in armed conflicts, gathering fragments of their present-day lives. Through an enveloping sound composition, veiled archival material, footage shot by the protagonists themselves, and a sensitive visual approach, the film explores memory, perception, and our relationship to the visible. Steering away from spectacle, it invites us to hear what often goes unheard, and to feel differently. In an age saturated with images, this documentary offers a sensory experience where listening becomes a gesture of resistance and human reconnection.