Documentary
The inspirational story of teenage singing sensation Mutlu Kaya as she makes a remarkable journey from gunshot victim to fearless survivor. As she battles to heal her haunting voice, she campaigns for women's right in Turkey and beyond. Mutlu means 'happy' in Turkish.
No cast information available.
In an America where more and more women and trans people are losing legal bodily autonomy, the history of Bill Baird’s long fight for women’s right to abortion is as relevant as ever. Oscar-nominated filmmaker Rebecca Cammisa doesn’t just give us a portrait of Baird, but also creates a historical register of allyship and activism that those fighting to uphold freedom and choice can access, and perhaps emulate.
Throughout the Islamic world, each year hundreds of women are shot, stabbed, strangled or burned to death by male relatives because they are thought to have “dishonoured” their families. They may have lost their virginity, refused an arranged marriage or left an abusive husband. Even if a woman is raped or merely the victim of gossip, she must pay the price. Crimes of Honour documents the terrible reality of femicide – the belief that a girl’s body is the property of the family, and any suggestion of sexual impropriety must be cleansed with her blood. We meet women in hiding from their families, a brother who describes his reasons for killing the sister he loved, and a handful of women who have committed themselves to the protection of young women in danger of losing their lives.
Béatrice Dalle, Lio, Brigitte Fontaine, Corinne Masiero, Aïssa Maïga, Virginie Despentes, Maria Schneider, Gisèle Halimi, Juliette Gréco, and Adèle Haenel—these women lived on their own terms, defying conventions and embracing lives often deemed "scandalous." Labeled frivolous, hysterical, or simply too free and too loud, they faced criticism yet used controversy as a force for change, challenging norms and advancing women's rights. This documentary retraces seventy years of their bold and unconventional journeys, telling the story of the fearless women who shaped history and fought for a more equal world.
When Tehran hosts visiting foreign dignitaries, the local authorities clean up the city’s urban image through the controversial process of ‘urban beautification’. Those who are deemed unsavoury are rounded up – drug users, prostitutes and the homeless who sleep in cardboard boxes on sidewalks and who they would rather remain unseen. When these very important people leave, the men are released but the women are kept as wards of the state. An animated documentary made using hand-crafted cardboard miniatures and the voices of women to tell their story, one that has been five years in the making. A story that shows how the face of a city can change, but what is underneath often does not.
In the years following the Civil Rights movement and the passage of Title IX in 1972, Dr. Donnis Thompson (a headstrong African-American female coach), Patsy Mink (the first Asian-American U.S. congresswoman), and Beth McLachlin (the team captain of a rag-tag female volleyball team), battled discrimination from the halls of Washington D.C. to the dusty volleyball courts of the University of Hawaii, fighting for the rights of young women to play sports.
Nearly three years have passed since the "Woman, Life, Freedom" protests in Iran. Many who took part in the 2022 (1401) demonstrations paid a heavy price: some were killed, many were permanently injured, others were sentenced to long prison terms, and many lost their jobs. Among the well-known figures who supported the protests was Taraneh Alidoosti, one of Iran’s most prominent film actresses. After she posted an unveiled photo of herself and later protested the execution of Mohsen Shekari, she was imprisoned. Following her release, she became ill and remained out of the public eye for some time. Alidoosti has also been banned from acting in cinema. For the first time, in the documentary Taraneh, produced by Pegah Ahangarani, Alidoosti speaks about her decision to join the protest movement after the killing of Mahsa Amini. She talks about the day she was arrested at home in front of her little daughter and about the loss of her skin due to an autoimmune disease.
A docu-drama shot in 1970, but not completed until 1973, the film sought to encapsulate in an experimental form issues that were under discussion within the Women’s Liberation Movement at this time and to thus contribute to action for change. In its numerous community screenings, active debate was encouraged as part of the viewing experience.
Breaking a centuries-old taboo, Ava stands as the first woman in Iran to master the male-dominated craft of carpentry. Within the grit and clamor of the workshop, she confronts a society that deems her presence forbidden. This observational documentary captures her daily battle against physical hardships and social judgment.
