Comedy
The award-winning comedian Alasdair Beckett-King is legendary, in that there is little historical evidence he exists. But he does exist. His debut solo show opens a cabinet of curiosities, tackling the conundrums of impending extinction, archaic axioms, emotional repression and…
Self
In the Spring Break capital of White Sands, Florida, Sheriff Terry Moran outlaws the town's world famous ass contests to win the elderly vote in his campaign for Mayor - even though he is married to the town's former Ass Contest Queen, Doreen. Unhappy with how her husband is changing, Doreen breaks out of her bored drunk housewife existence to recapture her youth and to subvert her husband's campaign.
My debut Comedy Central special, PAID REGULAR, is a tribute to my stand-up origins. I shot in the Original Room at the Comedy Store in Hollywood. It's where half the great comics for the last 40 years have worked out on a nightly basis. It's where I've gone up on stage more than anywhere else in the world. To me, this is what comedy is supposed to look like. My bits are about me exploring the hackiness of racism, life in weed-challenged NYC, and all the ways you too can challenge authority. And you also get some of my favorite material that we had to cut down for the broadcast edit. The Walking Dead bit was the one that hurt the most to have to cut out for TV. And there's a public service announcement that you should for sure watch with that special person in your life (unless you're both lesbians).
While taking a holiday in the country with his mother, Dennis hits on a scheme to impress a girl so that she'll go away on a trip with him as his girlfriend. Although he fails to gain any interest from the girl, the police take a great interest in his story. From this point on, Dennis digs a deeper hole for himself at every turn
In his special, rising star Nick Kroll ("The League," “Date Night,” "Get Him to the Greek") blows the doors off the time-honored one-hour format by weaving in hilarious short films, as well as appearances by his infamous characters Fabrice Fabrice, Bobby Bottleservice, El Chupacabra and Oh, Hello (featuring John Mulaney, “COMEDY CENTRAL Presents” and “Saturday Night Live”). This seminal comedy event marks the arrival of an exciting new voice in stand-up and is definitely not to be missed.
This documentary explores the legacy of one of the most notorious British sitcoms of all time. Launching alternative comedy onto our screens, the show made household names of its performers and writers and proved to be a huge influence, despite the BBC reportedly being baffled by what they'd commissioned back in 1982. Never before had a flagship comedy show contained so much violence, depravity and anarchy - it was a shot across the bow to mainstream comedians that things would never be the same again.
This documentary chronicles the decade-long run of the Eugene Mirman Comedy Festival – including a final farewell show. The film celebrates Eugene’s unique brand of humor and his role in the alternative comedy movement, offers a bittersweet goodbye to an era, and reminds us of the healing properties of comedy – even in the most challenging of life’s circumstances.
A South Korean man named Bang Tae-Sik looks more like someone from Southeast Asia and has difficulties finding employment. One day, Bang Tae-Sik disguises himself as a man from the country of Bhutan named ?Bangga? and succeeds in finding a job. Bang Tae-Sik then witnesses racism that migrant workers face in Korea
There's No Business... is a 1994 British partially improvised comedy film directed by Kevin Molony and produced by Claudia Lloyd for Prospect Pictures. It stars Raw Sex (Simon Brint and Rowland Rivron) as Ken Bishop and his stepson Duane, and Lee Cornes as their musical agent Dickie Valentino, in their attempt to remake a track by Ken's old band, 'The Nice Twelve' for a TV advert for 'Pinkies', a brand of kitchen gloves made by Mort Clayton (Mac McDonald). Alexander Armstrong (Tim) and Sam Graham (Fergus) work for the fictional advertising agency Sprote and Sprote. The film takes its name from the 1954 film There's No Business Like Show Business which itself borrowed the 1946 song of the same name by Irving Berlin, written for the musical Annie Get Your Gun.
