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Not everyone who nowadays drives on the A73 between Nuremberg and Bamberg knows that they are travelling on a former waterway. As recently as half a century ago, the old Ludwig-Main-Danube-Canal (in short: Ludwig-Canal) was located here, which represented the last puzzle piece of a navigable connection between the oceans. Built within a remarkable ten years’ time of construction, the canal, which was opened in 1846, was the realization of a small dream of humanity as it finally connected the North Sea with the Black Sea. Unfortunately, the idea could not support itself financially: Too powerful were the railroads, which saw their rise simultaneously, and which soon undermined the ambitious canal project’s future as they were in every regard the faster, more comfortable, and better means of transportation of the hour.
“Let nature be nature” is the philosophy of the Bavarian Forest National Park. Despite massive resistance, this vision has become a groundbreaking showcase project. Because humans do not interfere with nature, the former commercial forests grow into a primeval forest, a unique ecosystem and a refuge for biodiversity. People from all over the world come here. They are looking for answers to the question of why we need more wild nature and what we can learn from it to preserve forests for future generations in times of climate change.
Still today, people say that during the stormy night from March 31st to April 1st, 1922, the devil had come to Hinterkaifeck. On the farmstead near Schrobenhausen, all 6 inhabitants – 4 Adults and two children – are struck down bestially. The police did not manage to seek out the murderer(s). As the case is still unsolved as of today, the story still lives on in the minds of the people. Motion pictures, theatre plays, and the bestselling novel “Tannöd”, behind all of them stands Hinterkaifeck. Aspiring police investigators and a self-declared “Internet – special commission ‘Hinterkaifeck’” have now once again taken up the trail of the case. This exciting search for traces is followed by the film, and its findings are recreated in elaborate play scenes. Thereby, a picture of an era thought to be bygone and an idea of what really happened back then comes into existence. More precise than any fiction, the docudrama manages to get closer to the truth.
No Comment portrays the top climbers and young talents of the scene in both bouldering and route climbing with spectacular cinematography. It doesn't just show the hardest problems, it's also about climbing as a lifestyle and those who have shaped the scene from the beginning, such as Ben Moon, Jerry Moffat and Gerhard Hörhager. It also showcases the young talents like David Lama, Luca Zardini, Markus Bock and Michael Mayr introducing a new generation of super athletes, their philosophy and the way they live their lives. The film features an original soundtrack by10 Tyrolean musicians.
Altötting in Bavaria, around 120 km from Regensburg, is a much-visited pilgrimage site. Numerous Catholic pilgrims come here every year. The photographs show various groups of pilgrims in search of extraordinary and spiritual experiences, which are contrasted with the ordinariness of village life. The secular-commercial organization of the pilgrimage site and the marketing of the miracle do not always make it easy to distinguish between pilgrims and tourists, pilgrimage and spectacle, faith and madness.
In 1972, during Cambodia's civil war, a sandstone statue was torn from the age-old Koh Ker temple. Measuring 1.58m high and weighing 110 kilos, it depicts a prince and belongs to a collection that retraces the epic of the Mahabharata. The sculpture was first sold at auction in London in 1975, via a strange British art dealer based in Bangkok, and reappeared in 2011 at Sotheby's in New York with a bid of $2.5 million. A sale that was ultimately prohibited. In the meantime, experts from the École française d'Extrême-Orient, an American lawyer commissioned by Phnom Penh and UNESCO mobilized the Heritage Police across the Atlantic to denounce the theft of a cultural asset. In 2013, the work was returned to Cambodia. A captivating investigation into the international mafia of antiquities trafficking.
