Herself
Featuring musicians Annie Haslam, Michael Dunford, Jon Camp, John Tout, and Terry Sullivan, this classic lineup of progressive rock band Renaissance performs songs from albums Ashes are Burning, Turn of the Cards, Scheherazade and Other Stories, and Novella, including "Carpet of the Sun", "Mother Russia", and "Can You Hear Me?" in a stripped-down rock band arrangement, at the Golders Green Hippodrome, London, for the BBC Two series, Sight and Sound In Concert.
Before leaving for Rome with his mother, five year old Natan is taken by his father, Jorge, on an epic journey to the pristine Chinchorro reef off the coast of Mexico. As they fish, swim, and sail the turquoise waters of the open sea, Natan discovers the beauty of his Mayan heritage and learns to live in harmony with life above and below the surface, as the bond between father and son grows stronger before their inevitable farewell.
The second edition of Todo Mundo no Rio, internationally known as MAYHEM on the Beach, marked a historic moment on Copacabana Beach. After thirteen years away from the country, Lady Gaga returned to Brazil with a free concert promoting her eighth studio album, MAYHEM (2025). With a record-breaking crowd of 2.5 million people, the show became the biggest performance of her career and cemented her as the female artist with the largest audience in history.
They started their 1400 km journey to the capital of Europe on bicycles from Novi Sad, Serbia. This trip, from a divided country that has been in a socio-political crisis for five months, since the tragedy at the Novi Sad railway station - they called it the trip of justice. Eighty students from Serbia cycled through 6 European countries and 15 large cities in 12 days. Festive welcomes, tears, song and laughter in the squares all over Europe. They were welcomed by the Serbian diaspora, but also by the leaders of the cities they passed through. They went to Strasbourg with the desire to be heard by Europe and the world and said "We are not driving to Europe to escape from Serbia. We are driving to bring it back."
Behind Audrey Hepburn's dazzling image, Darcey Bussell unravels an epic tale of betrayal, courage, heartache and broken dreams. For as long as she can remember Darcey has been fascinated by Audrey Hepburn: style icon, star of Breakfast at Tiffany's, an Oscar winner at 24. Now, Darcey follows in Audrey's footsteps through Holland, London, Rome, Switzerland and Hollywood to find out more. She discovers Audrey started out as a dancer, risked her life in the war and, although adored the world over, was always looking for love.
A non-narrative short film tracking the movement of a flock of women through a megalithic landscape. They appear to be working, enacting a cryptic ceremony with a sense of calm & purposeful labor. A score weaving together their breath & hums with sounds collected from the landscape: wind, Rattlesnake grass & their hands rubbing against stone. The women's gestures come from both work & dance – evoking the strange overlap between labor & ritual. This film began as a response to the physicality of daily life as a mother & the rhythm of these acts; the relentless repetition of parenting, working, tending the world with our bodies. This repetition can easily become vacant labor, but it can also transform into a kind of meditative, even transcendent ritual, a collective communion with the landscape & each other. ALMA offers itself as a companion piece to McKenna’s photographic rubbings, a glimpse into the same world from where her art arises.
