Rescuing a Fantasy Classic

Charlotte Gainsbourg looks at her mother Jane Birkin in a way she never did, overcoming a sense of reserve. Using a camera lens, they expose themselves to each other, begin to step back, leaving space for a mother-daughter relationship.

The Captains' Summit documents the first time in Star Trek history that four stars who at some point have played Captains in Star Trek (William Shatner, Patrick Stewart, Leonard Nimoy, Jonathan Frakes) have been brought together for a 70-minute rare and unprecedented round table event. Whoopi Goldberg, star of Star Trek: The Next Generation, hosts the event.

In 150 years, twice marked by total destruction —a terrible earthquake in 1923 and incendiary bombings in 1945— followed by a spectacular rebirth, Tokyo, the old city of Edo, has become the largest and most futuristic capital in the world in a transformation process fueled by the exceptional resilience of its inhabitants, and nourished by a unique phenomenon of cultural hybridization.

The greatness, fall and renaissance of Hammer, the flagship company of British popular cinema, mainly from 1955 to 1968. Tortured women and sadistic monsters populated oppressive scenarios in provocative productions that shocked censorship and disgusted critics but fascinated the public. Movies in which horror was shown in offensive colors: dreadful stories, told without prejudices, that offered fear, blood, sex and stunning performances.

From her precocious status as a sex symbol to her consecration as a filmmaker, Jodie Foster's story is about a feminist struggle, albeit atypical, fought on and off the screen. This film sets out to retrace her remarkable journey within the Hollywood industry.

Cinecitta is today known as the center of the Italian film industry. But there is a dark past. The film city was solemnly inaugurated in 1937 by Mussolini. Here, propaganda films would be produced to strengthen the dictator's position.

An investigation of how Hollywood's fabled stories have deeply influenced how Americans feel about transgender people, and how transgender people have been taught to feel about themselves.

Born into a family of actors, Françoise Dorléac, Catherine Deneuve's older sister, began her career at the age of 15. She shone a few years later alongside Jean-Paul Belmondo in "L'Homme de Rio". From there, a great international career is announced to the young actress. But in 1967, a few months after filming the "Demoiselles de Rochefort" with her sister, she died tragically in a road accident, at the age of 25. Nevertheless, she leaves behind an abundant career and thus continues to be present in the minds of cinephiles.

Remarkable life story of Henri Diamant-Berger, a director and screenwriter whose devotion to cinema led him to collaborate with some of the greatest actors and filmmakers of his time.

Miracle at Beaverdam, a video about the restoration of Futurliner #10 is now available on DVD or VHS. Written, directed and produced by volunteer Don Bratt, the video covers the background of the GM Parade of Progress, the history of #10 and its restoration. The video includes original media clips on the GM Parade of Progress and chronicles Don Mayton's quest to restore one. As production ramps up on these videos, we'll make information available on how to order one. The "donation" will be $25, which includes shipping. In case you're wondering, Beaverdam is the name of the small community in West Michigan where Don Mayton, Director of Restoration, lives and where the Futurliner is being restored.

In one of those wonderful coincidences of history, lumière, the French word for “light,” was also the last name of brothers Auguste and Louis, whose brilliant invention, the cinematograph, helped to inaugurate the most beloved art form of the last 130 years. Institute Lumière director Thierry Frémaux uses Lumière, Le Cinema! to guide the viewer through over a hundred shorts—some famous, some forgotten, some never before seen—directed by Lumière and company. In the process, Frémaux illuminates how the brothers employed the camera as a creative instrument as they (and their operators) mastered framing, staging, and subject selection for quotidian and exotic microdocumentaries as well as the first ever fictional motion pictures. The result is not only a glorious re(telling) of the genesis of cinema but a profound meditation on the beautiful world captured—and the mysterious world imagined—by the Lumières.

Told through performances, TV interviews, home movies, family photographs, private letters and unpublished memoirs, the film reveals the essence of an extraordinary woman who rose from humble beginnings in New York City to become a glamorous international superstar and one of the greatest artists of all time.