Self

More than a century ago, large scale gold mining was begun at Kolar Gold Field, Mysore. At its peak, the mines employed 36,000 workers who braved the dangerous labour and built a new life in the mining camp. Today, many third and fourth generation gold miners face the threat of not just unemployment but displacement from the area they have made their own. This film is a tribute to the "labouring lions" of Kolar Gold Field, a historical reconstruction of their work, culture and rich political traditions.

Over half a century of public service, Valéry Giscard d'Estaing embodied the dream of a united and strong Europe. From the youthful enthusiasm of the 1950s to the disillusionment of the 2005 referendum, his career chronicles an ideal confronted with the realities of power, national resistance, and populist winds. He tirelessly attempted to realize his youthful dream: a United States of Europe.

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

Masao Adachi, the author and director of experimental works and pinku-eiga in the 1960s, was a member of the Japanese New Left that shifted from being a filmmaker to a guerrilla fighter. In 1974, he joined the Japanese Red Army in Lebanon, which worked closely with the Popular Front for the Liberation of Palestine. Filmmaker Lutz Dammbeck met Adachi in Tokyo in 2018 and talked with him about a wide range of topics, including art, revolution, the influence of western avant-garde art and American underground; the Japanese Red Army; collaboration with secret services; the role of the Left after 1968; and the reasons for failures of leftist ideas and strategies.

Everyday Maneuver is a video that presents the viewer with an unrealistic scenery. Shot from a drone, it shows a city at daytime, but there isn't a single human being in it. What seems disconnected from everyday life, and as artificial as a landscape created with computer graphics, is in fact a recording that was made during one of the annual "Wanan Air Raid Drills" that have been implemented in Taiwan since 1978.