
Álvaro
Sara
María

Raúl
Juan
Madre de María

Coming Through the Rye, set in 1969, is a touching coming of age story of sensitive, 16 year old Jamie Schwartz, who is not the most popular kid at his all boys' boarding school. Disconnected from students and teachers, he believes he is destined to play Holden Caulfield, the main character of The Catcher in the Rye, and has adapted the book as a play.

A young boy wrestles with a deepening sense of remorse after the sudden disappearance of his friend. When those close to him begin to question his involvement, he is forced to make a life-altering choice. Themes of friendship, guilt, and redemption are examined against the backdrop of a scorching summer in the rural South.

Xe and Y cross paths by chance at the door of a café, in a meeting that feels as if it were written by fate. Between them, something is born that is as fleeting as it is universal — that rare instant when we recognize someone even before knowing who they are. Revois follows this encounter that could belong to any of us and that, perhaps — just perhaps — asks to happen again.”

Four guys, one camera, and their experience chronicling the exhilarating and terrifying rite of passage: losing your virginity. As these guys help their buddy get laid, they'll have to survive friends with benefits, Internet hookups, even porn stars during an adventure that proves why you will always remember your first time.

The gypsy Azucena (Fiorenza Cossotto) takes revenge for her mother who was accused of putting a curse on one of the old Count di Luna's two sons: she decides to abduct the younger child and throw it in the flames. But when she is about to carry out this fatal act, the gypsy sacrifices her own child and keeps the old Count’s son, whom she names Manrico (IL TROVATORE, Plácido Domingo). Later, as adults, the troubadour Manrico and the Count di Luna’s elder son (Piero Cappucilli) do not know each other, but become rivals for the beautiful Leonora (Raina Kabaivanska). Manrico succeeds in winning the young woman’s heart, and she sacrifices herself for him, deceiving the Count’s son. Mad with jealousy, the latter orders the execution of the troubadour in front of his mother. Azucena reveals to him that Manrico was his brother. This legendary performance of Giuseppe Verdi's most successful opera was recorded at the Vienna State Opera under the baton of Herbert von Karajan.