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Cast
In 1983, film student Rich Murray was handed $20,000 in a brown paper bag by a mobster. The money was for directing his first music video for a virtually unknown Philly rocker named Alan Mann. Mann's song "Christmas on the Block" became a Philly radio staple and Murray's music video, against the odds, became the first indie video to play on MTV. This experience, tainted by Mann's tragic passing, remained with Murray through the years. With "Fear of Heights," Murray travels back to that time to answer some nagging questions and to illuminate the dark, mysterious life and music of Alan Mann.
Until the Whole World Hears... Live was recorded live at the Greensboro Coliseum in North Carolina, and released in August 31, 2010 by Reunion Records. The album was nominated for a Dove Award for Long Form Music Video of the Year at the 42nd GMA Dove Awards. In an unprecedented six-year span with nearly 4.5 million career album sales, a GRAMMY Award, an American Music Award, 23 Dove Awards and 8 chart-topping radio singles, Casting Crowns remains focused on discipleship through music. With lead singer and songwriter Mark Hall's 18 years in youth ministry, the band's message remains rooted in the student services he has led on a weekly basis since 2001, at Eagles Landing Baptist church near Atlanta.
An urge to change, a yearning to traverse the subconscious. As we drift, rootless and restless, into the interior of guitars and other gateways, so does reality shift (from real-world to fabricated, from an industrial, lifeless landscape to a natural one, from underwater to the martian desert) in this lyric video with surreal and fantastical elements. Wandering through different dream realms, impatiently navigating towards chimerical thresholds, are these the little worlds we devise when connecting with our art? What exactly are we searching for? And did we find it? Explore strange new worlds (and discover that maybe they are also ours?) as Albert Hammond completes his vision of his bold new single 'Don't Bother Me Babe' with a multi-dimensional graphic video.
In this film, there's no specific protagonist. Instead, each Balming Tiger member makes an appearance, and their stories gradually intersect. The primary objective is to showcase the individual charm of each member while pushing the boundaries of visual storytelling beyond the conventional music video format.
One of three films made as part of the multi-media project ‘Doem, Dood & Verderf’ (2017) by Mees Joachim, chronicling the most traumatic moments from three of their prior long-term relationships. This multi-media project took the form of twelve 100x65cm illustrations, 4 per relationship, an EP released as Pink Boah (Zalmroze in collaboration with Jerboah) and three experimental films backed by the three title tracks from the Pink Boah EP. Each of the three films is a self-projected character study, with the three relationships being depicted and acted out, by the artist and a placeholder model, through physical performance and touch. Visually it is most in line with the artist’s photographic series "The Gaze Upon The Male Gaze”, made for Sauce Magazine, with both the films and that photo series being highly sexploitative in nature.
