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Self
Self
Becoming a father is an extraordinary adventure in a man's life, but it is also a real physiological metamorphosis that science is only just beginning to reveal. Researchers from multiple disciplines are lifting the veil on these changes taking place in men who are in contact with young children, and their discoveries are astonishing. By tracing the thread of evolution, the film reveals that these deep, long-ignored bonds between men and children are very ancient. And that they are just waiting for the right context to fully express themselves.
By 1997 Diana, Princess of Wales had spent over a decade in the global spotlight. From a fairytale princess to a powerful independent mother - Diana had shown resilience and resolve. Free from the shackles of a royal marriage, she was just about to conquer the world all over again and this time on her own terms, but everything was about to come to a screeching halt.
In France, more than 10 million people of all ages are believed to rely on food aid. Faced with this reality, mutual aid initiatives are multiplying to feed, comfort, and integrate people. From lunches where everyone pitches in, to one-euro menus, workshops on how to cook healthily and cheaply, and dinners prepared by Michelin-starred chefs, solidarity kitchens are multiplying in France.
This chronicle of the Christchurch Commonwealth Games marked one of the National Film Unit's most ambitious productions. Though a range of events (including famous runs by John Walker and Dick Tayler), are covered, the film often bypasses the pomp and glory approach; instead it dares to talk to the injured and mention that most competitors lose. The closing ceremonies of the "friendly games" feature the athletes gathering to — as the official song's chorus put it — "join together". Four directors joined together to work on it: Arthur Everard, John King, Paul Maunder and Sam Pillsbury.
In contrast to the lens that focuses exclusively on the racist traditions that are rooted in America’s social history, the moral counterweight of close, loving, friendship and collaboration, which have always been present in our history, represents “the other tradition.” This “other tradition” is a source of inspiration and presents models of behavior that are instructional and include unknown and uncelebrated legacies to be absorbed and emulated across generations of present day Americans. The documentary discusses the “better in us” a needed collective perspective in the current climate of national disunity across racial, religious, and political lines. This has significant implications for addressing public issues from immigration to health care and the myriad of governmental, educational, business, and religious challenges that we must successfully meet to weave the fabric of unity which is indispensable to survival as a nation.
Tsuchiya, who lives with his single mother in Osaka, does not get serious work once he graduates from high school, but rather devotes himself to mailing jokes to the “Ohgiri” variety show. Seeking to be recognized as a show “Legend,” he devotes his entire life to laughter, setting himself the task of submitting hundreds of entries per day. At loose ends, he encounters a drifter, Pink, who finds him work at his bar while Tsuchiya now devotes himself to becoming a “postcard craftsman” who submits material to a radio program. The entertainers on the program begin to use material from his postcards. A comedian Tsuchiya admires, one of a comic duo called “Bacon,” says on the air that he admires Tsuchiya’s material and that he wants “to do material together.” Dreaming of another chance, Tsuchiya heads for Tokyo.
