Andrés from La Victoria

Gathered by a theater company, a small town in Chile called Villa Alegre, looks deep into its origins and myths to tell their own history through a play.

Rüdiger was a child, Aki two months old and Kurt, the deputy of the pedophile leader of the sect. In 1961 they came to Chile together with 500 other German sect members and for over 40 years they lived secluded from the rest of the world. The film tells about the attempt to survive as a collective after decades of crimes such as torture and murder and shows different ways in which the individual copes with the history of the community.

Report on the town of San Pedro which exists in the middle of the desert and at over 2,430 meters above sea level. It also deals with the work of priest Gustavo Le Paige and the museum he helped develop.

In the midst of a profound social conflict, the director, a blind activist based in Canada, returns to her native Chile to follow five activists who embark on a transformative process to dignify their lives.

Images of Argentinian companies and factories in the first light of day, seen from the inside of a car, while the director reads out documents in voiceover that reveals the collusion of the same concerns in the military dictatorship’s terror.

When everyone is supposed to be celebrating the arrival of a new year, the Chilean director Cristobal Valenzuela takes to the streets of Santiago to give voice to another facet, less colorful and festive, undoubtedly invisible, of this eve. Lonely pedestrians who roam the streets of the city inhabit the frame of a handheld camera that allows them to express themselves. Comments of hopelessness and tiredness, contrasting with the sky lit by fireworks, give us a glimpse to that other social image.

1972. During the government of Salvador Allende 34 artists made works that were included in the construction of the UNCTAD III building, today GAM. After the 1973 coup, few works survived looting and destruction. 40 years later, Joaquín Maruenda, son of the late sculptor Félix Maruenda, finds a record that leads him to investigate the events of the sculpture "Chimeneas" and its possible restoration. Joaquín, artists and workers involved with the construction of the building, will try to answer the question Why did they destroy the art?

Sir Chris Bonington’s return to Torres del Paine, 62 years after the first ascent of the Central Tower. At 91 years old, and while living with Alzheimer’s disease, the documentary accompanies Bonington in a profoundly human return: an attempt to reconnect with memories that time has erased, but that the Patagonian landscape still seems to guard. During the filming, Chris once again set foot on the territory of Estancia Cerro Guido, closing a circle between past and present, between the epic of mountaineering and the fragility of memory.

Bruno Muel's documentary on the coup in Chile in 1973. Muel, who was part of the famed Medvedkine group, along with Chris Marker and Jean-Luc Godard, among others, captured one of the most powerful portraits of the early days of Dictatorship. Profound solidarity with the socialist cause, Muel and his team showed great courage to mix the official registration of images with those triumphant, clandestine, of the nascent opposition.

An immigrant lost in Santiago's subway discovers that the city he inhabits conceals a buried secret: Santiago was founded over a cusco, an administrative center of the Tahuantinsuyo Empire. Through his wandering across the city and the testimony of pre-Columbian history researchers, the film reconstructs the Inca presence in the Mapocho Valley and proposes a decolonial reading of Chilean urban territory.

This is one of the most beautiful rewilding stories of our time, that of Douglas and Kristine Tompkins, a couple of successful entrepreneurs – The North Face and Esprit – who decided to dedicate themselves to protecting vast territories in Patagonia. The results of their actions are astounding: in 30 years they enabled the creation and expansion of 18 national parks between Chile and Argentina, covering a total area of 7 million hectares, equivalent to the size of a country like Ireland. By transforming these spaces and reconstructing natural ecosystems, the development of these parks has also enabled the creation of social bonds, developed a new form of economic activity, brought forth a political space, and contributed to strengthening the population’s sense of belonging to their territories.