Nureru bijin tsuma hamerareta on'na

A serial assault case where a married woman are called over the phone and raped in a closed room.

Mika, who used to be a call girl, is being pursued by a man that brokers prostitution. Her mother Yoshimi and older sister Mayumi also sold their bodies. But now, Mayumi will marry Soejima, a trading company man. Mika is happy to have a respectable relative and starts a part-time job at a pachinko parlor...

A fast talking, money stealing, gambling, womanizing low level yakuza bum takes advantage of a bar owner’s virgin daughter. But even after he does the right thing his bad habits don’t change.

Fumino, who has retired from her job as a high school teacher and is working in a hot spring town, is suffering from sexual violence from her father, Yoshiaki. One day, Fumino is reunited with Kimura, a former student of hers.

The woman in the kimono exuded an indescribable charm that captivated Genjin. Her naturally alluring beauty instantly enthralled him. Then, seizing a momentary lapse in his attention, Oden's dagger plunged into his side—a wicked woman's dance driven by lust and passion, a thrilling period drama.

Although its title indicates three personalities, the heroine of cult filmmaker Hisayasu Sato’s downbeat multiple-personality tale actually exhibits four, going from loving wife to crazed slut to insane child to depressed adolescent. As usual, Sato fills the film with alienation, kinky sex, and psychological subplots.

This routine effort from cult pinku-eiga director Hisayasu Sato centers around a divorcée who opens a beauty parlor and begins selling sexual services to boost her business.

Cult filmmaker Hisayasu Sato's second comedy of the year, this silly softcore effort stars pretty Nao Kikuchi as a young married woman who takes a job at a call-girl agency with the mistaken belief that it is a maid service. After she is raped on her first assignment, Kikuchi is understandably shocked, but quickly warms to her new career and becomes quite the professional. Unfortunately, her husband soon discovers the true nature of her work.

One of legendary "pink" director Hisayasu Sato's first of over 50 examinations of love and sex among the dregs of society, this downbeat picture deals with a sleazy rapist (Taketoshi Watari) who starts a doomed romance with a sullen teenage reject.

A woman is sexually assaulted while jogging and the attacker leaves behind a ID pendent in the struggle. With this as her only clue she searches the nightclubs of Ginza for a chance at revenge.

In a hospital with a near sighted doctor, horny nurses, cosplaying patients and stiffs in the basement the only healing taking place is sexual.