Joan Baez: I Am a Noise

Semi-Biographical film documenting the life of The Reverend Wilbert Awdry, creator of the beloved Thomas The tank Engine Stories

Fired from his band and hard up for cash, guitarist and vocalist Dewey Finn finagles his way into a job as a fifth-grade substitute teacher at a private school, where he secretly begins teaching his straight-A students the finer points of rock 'n' roll and the power of sticking it to the man. But as the school’s stern principal closes in and the Battle of the Bands looms, Dewey must risk everything to prove that rock 'n' roll can change lives.

In Ireland in the mid 1960s, two feuding brothers and their respective Ceilidh bands compete at a music festival.

Born on a sharecropping plantation in Northern Florida, Ray Charles went blind at seven. Inspired by a fiercely independent mom who insisted he make his own way, He found his calling and his gift behind a piano keyboard. Touring across the Southern musical circuit, the soulful singer gained a reputation and then exploded with worldwide fame when he pioneered coupling gospel and country together.

Biopic filmed in a single shot about the Majorcan musician Juanjo Monserrat.

Diana Mariscal reached a moment of fame in the sixties, when at just 18 years of age she was the lead actress of the movie Fando and Lis by Alejandro Jodorowsky. The moment seemed to trigger a promising career, but her public image faded little by little until disappearing. Forty years later the traces of her existence have not been entirely erased.

Between 1967 and 1976, Italian writer Goliarda Sapienza (1924-76) wrote The Art of Joy, a subversive novel about the dazzling social ascent of a rebellious heroine; too scandalous to be published at that contradictory time.

The film tells the fairytale story of a scrawny East Frisian who, despite minimal starting opportunities, has had a unique career. Otto has always trusted his gut feeling, even when he often faced challenges that threatened to jeopardize his career. My Name is Otto shows comical moments and emotional high points, but also addresses the fears of a man who to this day firmly believes that his lucky streak could one day end.

Sight, like other senses, is as much a matter of personal experience as of the absence of possible comparisons. How can we know what others see and in what way? How can we describe when our reference points are constantly escaping? Faced with the risk of blindness since childhood, Manuel von Stürler lives in dread of this fate and condition; his lust for sight (Fureur de voir) retraces an initiatory journey into the universe of vision and senses, into the definition of darkness or of nothing.