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This film narrates the story of a community on the coast of the Special Capital Region of Jakarta, experiencing the direct impact of land subsidence and global climate change that jeopardize their area. In an effort to face this crisis, they come up with a unique solution by using green mussels shells for raising the ground to prevent the disaster from engulfing their homes.

Set in Nagaland, the film hopes to find resonance in other geo-political locations of the world where people living on the margins are challenged by the seemingly inevitable phenomenon of modernization. The film follows Zarenthung, a first generation fisherman as he navigates his new profession as the reality around him is changing.

Jonathan Stavleu explores, in a stream-of-consciousness video essay, the relationship people have with water and what happens when access to it is taken away. For this work, he examines anecdotal histories he has heard from Estonians, as well as stories from his own family history in the Netherlands, weaving them together into a journal-like narrative.