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Filmmaker Roman Polanski spends a weekend with world champion driver Jackie Stewart as he attempts to win the 1971 Monaco Grand Prix, offering an extraordinarily rare glimpse into the life of a gifted athlete at the height of his powers. "Re-cut and restored" version of the original "Weekend Of A Champion (1972)", with a 2011 post-film discussion between Jackie Stewart and Roman Polanski (begins at approx 71:15 minutes).

Pier Paolo Pasolini sets out to interview Italians about sex, apparently their least favorite thing to talk about in public: he asks children if they know where babies come from; asks old and young women if they support gender equality; asks both sexes if a woman's virginity still matters, what do they think of homosexuality, if divorce should be legal, or if they support the recent abolition of brothels. He interviews blue-collar workers, intellectuals, college students, rural farmers, the bourgeoisie, and every other kind of people, painting a vivid portrait of a rapidly-industrializing Italy, hanging between modernity and tradition — toward both of which Pasolini shows equal distrust.

Alex Gray, Josh Mulcoy, and Pete Devries went on a journey through the remote Aleutian Arc of Alaska, the birthplace of storm systems that send swell back to the rest of us in civilization. They braved heavy weather, flew on rickety prop planes, and ate seal meat en route to discovering one of the best cold-water slabs in the world. The film follows the cold-water crew as they traverse the island on quad bikes, tracking pulses of swell to remote bays and never before surfed points. Set against the stunning volcanic backdrop of the Aleutian Islands, The Cradle of Storms is cold-water surf exploration at its finest.

The current trend to render prostitution a profession "as any other" is belied by women who were themselves prostitutes. With clarity and courage, the women in this film reveal the hidden face of that so-called "sex work". They are 22, 34 or 48 years old; they live in Montreal, Quebec and Ottawa - They have recently given up prostitution, or are trying to escape it. These women are leading the bitter fight to turn their lives around and it is a long and lonely struggle fraught with difficulties. Shot in a Cinéma Vérité style, The Fallacy (L'imposture) takes us to the heart of their realities.

October 2018, France. Macron’s government decrees a tax increase on the price of fuel. A wave of protests starts to grow. Citizens mobilize throughout the country: this is the beginning of the Yellow Vests movement. In Chartres, a group of men and women gather daily. Among them, Agnès, Benoît, Nathalie and Allan commit themselves to the collective struggle. Like a whole nation, they discover that they have a voice to be heard...