Fatollah Ghollar Aghasi
Self - Artist
A documentary about the life and works of the maestros of Imaginary Painting School who made Iranian popular old style Khialisazi or Coffee-House Painting.
Self - Artist
Self - Artist
Self - Artist
Self - Artist
Self - Artist
Self - Artist
Self - Artist
Self - Narrator
Experts uncover long-lost secrets and discover new evidence in the infamous story of Pompeii offering new stories of what happened in those fateful final hours. (This appears to be a a standalone, truncated, single movie adaptation of the three-part TV Series Pompeii's Final Hours: New Evidence (2018) [tmdbid= 86218].

Every May, around 100 motorcycle road racers from across the world make the pilgrimage to Northern Ireland to take part in one of the sport’s fastest and most dangerous events - the North West 200. Racing on closed public roads at speeds in excess of 200 mph, the riders dice with danger and even death. To outsiders, it looks like a form of madness. To those who do it, it’s like their religion, and the road their church. But with the ever-present risk of life-changing injuries or fatalities, in recent years the future of the sport has hung in the balance. Following three riders in the weeks leading up to the North West 200, this film explores how faith, family and the risk of fatality push a diverse cast of racers to the limit.

A short experimental documentary that interrogates how the modernization of parks and playgrounds in Long Branch (a neighbourhood in South Etobicoke in Toronto, Canada) both reflects and contributes to the overall rise in the cost of living in the area by exploring children's relationships to the community spaces around them. The film includes footage from four local parks and playgrounds, personal archival materials, interviews with five South Etobicoke locals, and an art-based workshop at a local junior middle school.

This documentary short-film follows the story of The White Bus Cinema based in Southend-on-Sea. They keep the process of projecting real celluloid film alive by showing films from their archive of over 3,000 films, ranging from Super 8, 16mm, and 35mm prints. The film argues why it's important to continue the shooting and projection process of film in our current age of digital shooting and projection in modern Hollywood, amidst the chaos of studios removing films from their streaming services.