The Sounds of 7am

If there is one person Matthew Lancit can’t get out of his mind, it is his uncle Harvey. Dark rings around his eyes, pale, blind, his legs amputated. Like Harvey, the filmmaker also suffers from diabetes. He has the disease under control, but one question is always nagging at him: How much longer? His long-term (self-)observation reliably revolves around fears of infirmity and mutilation. He translates the feared body horror into film, stages himself as a zombie, vampire, a desolate figure. Lancit playfully anticipates his potential decline, serving up a whole arsenal of effects which – as video recordings prove – go back to his youth. It is not for nothing that the “dead” in the title is also reminiscent of “dad.” Because “Play Dead!” also negotiates his own role as a father.

Presenter and comic Jacob Burley hosts Bear Hunt; a stand-up show in which he explores the existence and extinction of the brown bear in the British Isles.

A police detective falls in love with the woman whose murder he's investigating.

Tirana, 1997. In the chaos that followed the fall of the dictatorship, a boy hounded by the other children hides inside one of the concrete bunkers the regime left scattered across the country. He never comes out again. Tirana, 2022. Adrian returns from ten years in London with his girlfriend Nua and their friends Davide and Giulia. They are carrying twenty-five thousand euros in cash and a plan: buy a disused bunker and turn it into the most fashionable club in the city. But Adrian has already spent that money paying off a debt none of the others knows about. And below ground, for twenty-five years, someone has been waiting in the dark, armed with blades.

Three American college students studying abroad are lured to a Slovakian hostel, and discover the grim reality behind it.

Experimental film "Presence has all the things that life can have in itself. But living as a stranger in today's arena, how much does it desire to communication?

A documentary on Al Gore's campaign to make the issue of global warming a recognized problem worldwide.

Six million tons, suspended by the slightest gesture. Mother of the World presents a series of brief vignettes of Cairo just prior to the 2011 Egyptian Revolution. These fragmented scenes choreograph class structure and foreign influence into an intimate, poetic view of a nation about to change.

GIRI CHIT tells a tale of the subtle trace of irreconcilable worlds. A worker driving a mobile sweeper in hypnotic circles across an already immaculate surface. The high drama of cosplay aficionados clamoring to be seen. A cast of thousands toiling hundreds of feet above the street. Giri translates as ‘duty’ in Japanese, but the concept is in fact far more complicated. Giri is a sort of interpersonal political capital that informs careers, family relations, and much more. Its presence and flow is palpable in Japan, where this film was shot. A “giri chit” then may be a hypothetical voucher for this intangible flow (with a tip of the cap to Thomas Pynchon’s “Vineland”). Selected Screenings and Awards: DaVinci Film Festival (Best Experimental Film), Chicago Underground Film Festival, Athens International Film and Video Festival, Dallas Videofest, ICDOCS Film Festival, NewFilmmakers at Anthology Film Archives, Oxford Film Festival, Director’s Lounge Berlin

A documentary about the sea and memory. Its movement is its form. Its strength.