Laughing in Afghanistan

On August 15, 2021, Afghanistan descends into chaos. In one day, the completion of the withdrawal of Western forces precipitated the debacle of the regime in place: the army vanished, the leaders fled and the Taliban took Kabul without a fight. The great Central Asian country opens a new chapter in its tragic history, twenty years after the "war on terror" launched by George W. Bush in response to the attacks of September 11, 2001. The undisputed masters of 40 million trapped Afghans, the "students of religion" are back and are savoring their revenge by posing as the United States' victors. Their program will surprise no one: to restore the Islamic emirate and set up the "true" sharia, i.e. a perfect world, with divine commandments applied to the letter as in the time of the prophet.

An in-depth look at the torture practices of the United States in Afghanistan, Iraq and Guantanamo Bay, focusing on an innocent taxi driver in Afghanistan who was tortured and killed in 2002.

Award Winning Documentary on the Life of Artist Robert Shields. “Robert Shields: My Life as a Robot” is a documentary that will make you believe that your actions can have an inspirational effect on so many lives - and you may not even be aware of it. An icon of the 70’s, Robert began his career doing his robot in front of the Hollywood Wax Museum and a few short years later had his own top rated Prime Time CBS Variety show with his beautiful wife Lorene called: “The Shields & Yarnell Show”. And along the way, unbeknownst to him, he created ripples that define an art form to this day. This film may not save the environment, it won’t take on a corrupt corporation nor will it make you write your congress person. What it will do is make you laugh, bring you wonder and joy and introduce you to a man who makes you believe that anything is possible… including (and don’t try this at home!) Street Skiing in downtown San Francisco!

Near-silent and shot via a cell phone, a war veteran observes the world which has been colored by his experiences in Afghanistan.

As a young and idealistic war correspondent, Graeme Smith followed the troops into battle in Afghanistan. Now he returns to a place that gave him nightmares to see if there is hope for peace. Smith revisits old friends and acquaintances and sees the deep divisions in the country.

In 1989, Swedish journalist, Khazar Fatemi narrowly fled the war torn country of Afghanistan with her life. Twenty years later, the former refugee returned to the place that has always remained in her heart. Where My Heart Beats follows Khazar's dangerous, painful, and inspirational journey back home to reconnect with the amazing people of this broken nation.

French documentarist Sonia Kronlund follows actor and director Salim Shaheen, an Afghan movie star who produced more than 110 low-budget movies in a country devastated by war.

Armed only with their cameras, Peabody and Emmy Award-winning conflict Journalist Mike Boettcher, and his son, Carlos, provide unprecedented access into the longest war in U.S. history: they are embed with U.S. troops during nine days of intense combat in Afghanistan.

In Jaan the filmmaker uses her mother’s forbidden cassettes and dance to tell the stories and show the spirit of Afghan women across generations.

16 Days in Afghanistan is a documentary that documents the state of Afghan people after the fall of the Taliban.

In Afghanistan many hundreds of boys, often as young as ten, are being lured off the streets on the promise of a new life.

The Soviet Army Prepares for Action in Afghanistan is derived from four shots of a Soviet film called Heirs of Victory (1975) which commemorates the Allied triumph over fascism in World War II. The original film celebrates the military might of the USSR in images of explosions and armed men leaping through flames. These images are subjected to such thorough manipulation that they become patterns flickering like a multitude of abstract paintings, with digital smears standing in for squeegee marks and brush strokes. Slowly the shots become less abstract until they are completely recognizable, though still somehow rather surreal.