Rwanda : the silence of words

In this comedic travelogue movie, filmmaker Alex Suszko ventures to the country of Mauritius where he attempts to understand the cultural differences as a lower-middle class American abroad.

Silent adventure film

A humorous documentary about a historic hunt in 1929 through the African savannah and Indian jungle with lots of animal footage.

Between 1933 and 1935, the painter Wilhelm Eggert and his wife Dora Kuster traveled the African continent. Their expedition took them from Mediterranean Algiers through the Sahara and parts of the African west coast to the Congo and Kenya. Not only did the couple explore vast stretches of land that were almost completely unknown, at least to private travelers at the time, they also captured this journey on film. A screenable documentary film was compiled from the original 12,000m of film material. In cinemas and film clubs, European audiences were presented with a film that was evidently able to satisfy an interest in foreign, 'wild' cultures and exotic landscapes, albeit one that was always Eurocentric. The spectacular shots of African lifestyles and nature, which in many respects were new to European viewers who were almost completely unfamiliar with Africa, were praised and appreciated precisely because of their supposed authenticity.

From 1968 to 1972, photographer and filmmaker Bob Campbell documented the activities of Dian Fossey as she developed a cross-species bond with Rwandan mountain gorillas. Campbell shot 70,000 feet of film, but only a fraction of his material was edited into the lecture presentation that preceded Fossey's Gorillas in the Mist. This program compiles highlights from the previously unreleased footage, offering an unforgettable glimpse into the gorilla community and Fossey's relationship with it. Her methods may not entirely jibe with those of modern conservationists, but there is no denying the profound impact of her work on current research and eco-activism.

A scenes from a tour of Manipur State and a women's bazaar in Imphal.

The American woman is the best dressed woman in the world. This is due to Yankee ingeniuty, which makes a fashionable, well-made dress to sell for twenty dollars or less.

A unique look at three of the greatest builders of the African Savannah: weaver birds, aardvarks and termites. In their spectacular buildings they do not live alone! Many roommates from other species, from small insects, reptiles and birds to large mammals, not only live together — they also benefit from sharing the same roof.

Two formidable Native American women, both chief judges in their tribe's courts, strive to reduce incarceration rates and heal their people by restoring rather than punishing offenders, modeling restorative justice in action.

More than 15 years after leaving the country, Eugène Murangwa, the former goalkeeper of the most popular club in Rwanda and national team, returns to his native land to pass on the values of a sport which saved him in 1994 to the young people of an association that he created with former football players. Illustrated with previously unseen archives, the film throws a new light on the history of Rwanda through football, a sport which served the “civilizing” mission of the colonizer, allowed the Hutu Power to mobilize the youth and helped the reconstruction of the country after the genocide.

A Luta Continua explains the military struggle of the Liberation Front of Mozambique (FRELIMO) against the Portuguese. Produced and narrated by American activists Robert Van Lierop, it details the relationship of the liberation to the wider regional and continental demands for self-determination against minority rule. It notes the complicit roles of foreign governments and companies in supporting Portugal against the African nationalists. Footage from the front lines of the struggle helps contextualize FRELIMO's African socialist ideology, specifically the role of the military in building the new nation, a commitment to education, demands for sexual equality, the introduction of medical aid into the countryside, and the role of culture in creating a single national identity.

A woman with a deep love of the land, Yolande Simard Perrault sees her life as having been shaped by a planetary upheaval in Charlevoix, Quebec, millions of years ago. As enduring as the Canadian Shield, she’s a woman of strength and spirit, a child of the crater left by the meteor’s impact. This documentary portrays a determined woman who’s the reflection of a land created on an immense scale. She was the creative and life partner of filmmaker Pierre Perrault, who gave up everything to be by her side. The film charts the influence of her unquenchable dreams and her contribution to the building of a people’s collective memory. In a stream of images and words, Simard Perrault recounts the splendours of the landscape and the people who shaped it. Generous and boundless, she embarks on a quest for identity that nurtures and perpetuates the oeuvre of the man who breathed new life into Quebec cinema.