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Documentary about making cheese in the Netherlands.

Extroversion is an attractive description, but why do we idealize this personality trait more highly? LISTEN TO THE WALLFLOWERS is a poetic short documentary about the need for quietness and spending time alone in a world that can't stop talking.

A short experimental tone-poem documentary that explores three stages of the gentrification of Seattle.

Presence narrates the journey of Thati, a woman determined to overcome her anxiety attacks through surfing. She finds refuge in the waves, where the surfboard becomes her ally and personal therapy.

Chapter 9 of the series 18 decades of life in Mexico in the twentieth century. Images of the cultural, social and political life in Mexico from 1940 to 1944. The presidency of Manuel Avila Camacho (1940-1946) in the context of the World War II.

Chapter 12 of the series 18 decades of life in Mexico in the twentieth century. Images of the cultural, social and political life in Mexico between 1955 and 1959. At the end of the presidential term of Adolfo Ruiz Cortines and the beginning of the presidency of Adolfo Lopez Mateos, Mexico is experiencing political stability and economic recovery after the 1954 devaluation.

Women from the different Spanish regions dress in their traditional costumes to attend the triumphal parade celebrating the victory of Francisco Franco and the rebel side over the Second Republic in 1939; the deeds of past heroes are remembered; and a patriotic poem by Nicaraguan poet Rubén Darío is recited.

Footage of this film was found in his belongings of director Mark Zenner after his death. A classic slice of Australian punk, both literally and figuratively, as razor sharp editing and collage techniques enliven the documentary on several punk bands.

Based on Elizabeth Swados’ picture book of the same name, this animated short film charts one woman's struggle with depression.

Editorial, poetic and kind, Stella’s aim for the film is that the queer community sees it and immediately knows that “this was made with love, not with the usual ‘once a year rainbow’ vibe”. At its core, the film makes space for multiplicity: “As a queer director myself, I really wanted to strike the balance between telling true queer stories, which are sometimes sad and sometimes happy.” The intergenerational cast was asked to write a letter to their younger/older self. A selection of quotes acts as the collective voice of the film.

A girl’s home falls apart as a result of her parents’ divorce. Her buried memories are revealed through a sea of grains of sand.

Observations of everyday life in Krakow.