Rhythm is it!

A journey through the preparation and hardworking process of ballet dancers and musicians for a unique spectacle in Tokio that Béjart choreographed with the Ninth symphony of Beethoven. Béjart ballet dances with Tokio ballet and the Philharmonic Orchestra of Israel. A marvellous combination of dancers movements and expression of different feelings along the four movements of the symphony with absolute elegance and strength.

Journey with the musicians of the Berlin Philharmonic and their conductor Sir Simon Rattle on a breakneck concert tour of six metropolises across Asia: Beijing, Seoul, Shanghai, Hong Kong, Taipei and Tokyo. Their artistic triumph onstage belies a dynamic and dramatic life backstage. The orchestra is a closed society that observes its own laws and traditions, and in the words of one of its musicians is, “an island, a democratic microcosm – almost without precedent in the music world - whose social structure and cohesion is not only founded on a common love for music but also informed by competition, compulsion and the pressure to perform to a high pitch of excellence... .” Never before has the Berlin Philharmonic allowed such intimate and exclusive access into its private world.

The Mirror Room is a 38-minute hybrid AI + human film by Malaysian artist Armen Jay. Part monologue, part memory ritual, this cinematic experience blends original music, archetypal AI voices, and real-life recovery to explore grief, rebirth, and identity. Premiered at Sunway University in October 2025, now available for stream + download worldwide.

A film in three parts after Oskar Schlemmer's Triadische Ballett (Triadic Ballet).

In 1990, one sixth of the population of Bhutan was exiled because they demanded greater democratic rights from the ruler. The film follows the story of Sarita, a 13-year-old girl born in Khudunabari, a refugee camp in Nepal where over 100,000 Bhutanese exiles live. Now they will be "relocated": thousands of families will be forced to emigrate and their Lotshampa identity will disappear forever. Sarita and her friends will not tell us their odyssey: they will dance and sing it.

Experimental ethnographic digital feature exploring International student and teacher identity expressed through musical performance at the University of Jinan, Shandong, China.

The film presents thirteen rhythms of flamenco, each with song, guitar, and dance: the up-tempo bularías, a brooding farruca, an anguished martinete, and a satiric fandango de huelva. There are tangos, a taranta, alegrías, siguiriyas, soleás, a guajira of patrician women, a petenera about a sentence to death, villancicos, and a final rumba.

Tribute to Selena Quintinilla-Perez, featuring musical performances and archive footage.

Milana, Sephora, and Mario are between seventeen and twenty-six years old. They grew up in modest, stigmatized rural Manouche families. Unlike their parents, they have degrees and work as employees. They have dreams to fulfill.