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From his early days as a Championship Manager wonderkid through to his celebrated return to Hammarby, Kennedy Bakircioglu has always been a cult figure. In his final game before retirement, Kennedy came on and produced a moment that broke the internet. How do you celebrate scoring a free kick from 30 yards? Beer please!

When an academic unearths a forgotten history, residents of the small township of Pukekohe, including kaumātua who have never told their personal stories before, confront its deep and dark racist past.

GUERRILLA HABEAS tells their inspiring yet maddening tale, as they rescue a few and many others are swept up by the system.

Documentary made by Yunus Vally, born in the 60s into a Muslim family during the height of the Apartheid era in South Africa, which examines the impact that the discriminatory laws of the state - specifically the so-called Immorality Act that determined who you could love and the censorship regulations that clearly defined what was deemed desirable - had on his life. It is also his attempt to fathom how he could have been an ardent Trotskyite who secretly fancied blonde Afrikaans beauty queens. (Storyville)

Twenty-five years after the verdict in the Rodney King trial sparked several days of protests, violence and looting in Los Angeles, LA 92 immerses viewers in that tumultuous period through stunning and rarely seen archival footage.

Controversy erupts over a New-Deal-era mural of the namesake of San Francisco’s George Washington High School. The thirteen-panel artwork "The Life of Washington" by Victor Arnautoff offers a view of the Founding Father both celebratory and critical, referencing his involvements in slavery and Native American genocide.

In contrast to the lens that focuses exclusively on the racist traditions that are rooted in America’s social history, the moral counterweight of close, loving, friendship and collaboration, which have always been present in our history, represents “the other tradition.” This “other tradition” is a source of inspiration and presents models of behavior that are instructional and include unknown and uncelebrated legacies to be absorbed and emulated across generations of present day Americans. The documentary discusses the “better in us” a needed collective perspective in the current climate of national disunity across racial, religious, and political lines. This has significant implications for addressing public issues from immigration to health care and the myriad of governmental, educational, business, and religious challenges that we must successfully meet to weave the fabric of unity which is indispensable to survival as a nation.

In April 1999, three Lakeside brothers murdered a Mexican migrant worker by beating him to death. Producer Lee Harvey spent several months talking with Lakesiders--teachers, social workers, longtime residents and teens who are avowed racists--to unearth the reasons why kids would commit this gruesome crime and why it happened in the peaceful, semi- rural town of Lakeside in eastern San Diego county.

The documentary tells the story of Júlio César, a young Afro-Brazilian who was executed by the Police in the 1980s in Porto Alegre. The crime became notorious when the press published photos of Julius being put alive in the police car and arriving 37 minutes later shot and dead at the hospital.

This documentary celebrates the Black cultural renaissance that existed in the Greenwood district of Tulsa, OK, and investigates the 100-year-old race massacre that left an indelible, though hidden stain on American history.