We Work for the Dead

London, 1843. Ebenezer Scrooge, a bitter old man, despises the Christmas holiday. Over the course of Christmas Eve night he is visited by three ghosts to show him his past, present and future.

A woman returning home falls asleep and has vivid dreams that may or may not be happening in reality. Through repetitive images and complete mismatching of the objective view of time and space, her dark inner desires play out on-screen.

Two superheroines face a gangster mob cult, who seek to fulfill the wish of their god.

A mother searches for her missing son after a devastating calamity, only to realize that she has died and is now confined to a realm of restless spirits.

Kevin just wants a normal Christmas with his son and ex-wife’s family—until a wish makes it Christmas every day. Caught in a festive loop, Kevin learns new talents and big lessons.

Adventure awaits 12 year old Brendan who must fight Vikings and a serpent god to find a crystal and complete the legendary Book of Kells. In order to finish Brother Aiden's book, Brendan must overcome his deepest fears on a secret quest that will take him beyond the abbey walls and into the enchanted forest where dangerous mythical creatures hide. Will Brendan succeed in his quest?

In a futuristic totalitarian utopian society, babies are created through genetic engineering, everyone has a predestined place in society and their minds are conditioned to follow the rules. A tragic outsider jeopardizes the status quo.

Shot in Lagos, Nigeria, Ududeagu is an experimental short film about impermanence and a spider. Narrated in Igbo with English subtitles, it is a brief and haunting piece of visual mythology.

"A poetic allegory about technology's invasion of the body and the destruction of the immune system, witnessing the pollution of history that drowns us." - Video Data Bank

The friendship between two children is threatened by their parents’ differences. Malú is from a family that was upper-class before the Revolution and remains well-to-do through remittances from relatives overseas, and her single mother (Larisa Vega Alamar) does not want her to play with Jorgito, as she thinks his background coarse and commonplace. Jorgito’s mother (Luisa María Jiménez Rodríguez),

When Charlie finds his aunt's corpse and meets her spirit, he sets off on a quest to complete her unfinished business to help her move on to the afterlife.