Coca-Cola und das Plastikproblem: Ein Konzern in der Kritik

MANUFACTURED LANDSCAPES is the striking new documentary on the world and work of renowned artist Edward Burtynsky. Internationally acclaimed for his large-scale photographs of “manufactured landscapes”—quarries, recycling yards, factories, mines and dams—Burtynsky creates stunningly beautiful art from civilization’s materials and debris.

The story of a normal water bottle living the average day to day life when suddenly tragedy strikes and he isn’t anymore, but what is it that remains of him? Has anything even changed in his absence? Does anyone notice the water bottle is gone?

The Mediterranean sea is stifled by the growing amount of plastic waste and microplastics, endangering marine mammals, polluting beaches and jeopardizing local economies. How to get rid of this plague? Alexandra Cousteau, granddaughter of worldwide-known explorer Jacques-Yves Cousteau, starts a journey to meet the people who are devoting their life to the Mediterranean sea’s rescue. Some flashing lights sequences or patterns may affect photosensitive viewers.

Over eight million tonnes of plastic enters the ocean each year, killing sea life. Now new evidence says it's entering our food chain with unknown health effects.

"Origins" takes a journey through the biological roots of where we have come from and where we have gone. Using fire as a metaphor for technology, the film looks at the advances of our civilization and how the recklessness of unchecked technology is now choking out the environment and poisoning our bodies. Interviews with the biggest names in the health and green space create compelling context and arguments for how we can better coexist with nature. "Origins" shows how man, technology, and nature can walk together in balance.

This film investigates and raises awareness about the perennial pollutants PFAS, present in many everyday products, including beauty products, clothing, and kitchen utensils. .

The Disappearing Male is about one of the most important, and least publicized, issues facing the human species: the toxic threat to the male reproductive system. The last few decades have seen steady and dramatic increases in the incidence of boys and young men suffering from genital deformities, low sperm count, sperm abnormalities and testicular cancer. The Disappearing Male takes a close and disturbing look at what many doctors and researchers now suspect are responsible for many of these problems: a class of common chemicals that are ubiquitous in our world.

Homo Plastic is a journey into the heart of the Plastic Age. From the icy waters of Antarctica to the most remote tropical shores, no place is free from pollution. This documentary explores how an invention that transformed the way we live has ultimately altered life itself. Plastic doesn't just float in the oceans—it has infiltrated our bodies, our landscapes, and our history. With both scientific precision and emotional depth, the film maps out a global crisis we can no longer ignore. A portrait as haunting as it is beautiful, reflecting the price of progress... but also the possibility of rewriting our legacy.

Under the sun, the heavenly beauty of grasslands will soon be covered by the raging dust of mines. Facing the ashes and noises caused by heavy mining , the herdsmen have no choice but to leave as the meadow areas dwindle. In the moonlight, iron mines are brightly lit throughout the night. Workers who operate the drilling machines must stay awake. The fight is tortuous, against the machine and against themselves. Meanwhile, coal miners are busy filling trucks with coals. Wearing a coal-dust mask, they become ghostlike creatures. An endless line of trucks will transport all the coals and iron ores to the iron works. There traps another crowd of souls, being baked in hell. In the hospital, time hangs heavy on miners' hands. After decades of breathing coal dust, death is just around the corner. They are living the reality of purgatory, but there will be no paradise.

“Detritus” is a visual experience that observes Barcelona through the waste left behind by its inhabitants: furniture, paper, plastic, and other urban debris. The accumulation of all these often overlooked remnants shapes the portrait of a dirty city, built on a model of constant consumption, where garbage becomes yet another layer of a cold and polluted landscape defined by what we leave behind.