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Tipsy Canoe (Actually Huizenga) was once an innocent child of the 90's. But after a gory initiation by immortal gang leader Bop (Ryan Linkof), she has developed not only a twisted blood-lust, but a desperate addiction to fame and youth. She needs to be loved in order to live. And now, in the year 2205, after marauding the streets with her gang of Warlords for over 200 years, Tipsy must find new ways to be adored. Her life is a dizzying tale of excess and depravity. If she can persuade top Hollywoodite, RIsha (Elisha Drons), to write a book about it, will her sick desires be fulfilled?
The Lemmy Kilmister/Phil Campbell/Mikkey Dee Motörhead line-up spent decades cracking sound barriers, bending ears and decimating lawns worldwide, consistently delivering the Motörgospel to hundreds of thousands of fans. Louder Than Noise... Live in Berlin is a thunderous performance from the band's 2012 Kings of The Road tour, spanning fifteen classics across all four decades. This line-up was Motörhead's longest serving by a considerable distance, and throughout Louder Than Noise... Live in Berlin their powerful synergy boots its way through the speakers with the raucous charm and dirty, dangerous, sweaty gusto that was the Kilmister/Campbell/Dee trademark.
Manchester, 1976. Tony Wilson is an ambitious but frustrated local TV news reporter looking for a way to make his mark. After witnessing a life-changing concert by a band known as the Sex Pistols, he persuades his station to televise one of their performances, and soon Manchester's punk groups are clamoring for him to manage them. Riding the wave of a musical revolution, Wilson and his friends create the legendary Factory Records label and The Hacienda club.
Reynivellir is a representation of the transit that is generated when approaching the art work, described with visual games that can well be evoked by the same brain when witnessing the impossible figures of Jose María Yturralde. Reynivellir is also a beach in a country that is a musical sonnet, and this is so because the mental image does not always connect the articulated parts of a sensation, it is systematic, but aleatory, and it is from these notions of the field of observation, that it approaches and moves away from understanding, linking and unlinking forms, movements, sounds, sensations and knowledge.
Through ten carefully chosen cover versions that whisk us from the British Invasion to a noughties X Factor final, this film journeys over five decades to track how artists as varied as The Moody Blues, Soft Cell, Puff Daddy and Alexandra Burke have scored number 1s with their retake on someone else's song. Each of the ten classic cover versions has its own particular tale, tied not only into its musical and cultural context but also the personal testimony of the artists, producers and songwriters whose lives were changed in the process.
