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Since its opening in 1882, the Paris Bourse du Travail (Labor Exchange) has remained a nerve center of the labor movement. Once a hotbed of revolutionary syndicalism, and now a meeting place for the main labor federations, history is etched into the walls of the Bourse. It is from the rooms bearing the names of illustrious figures—Eugène Varlin, Fernand Pelloutier, Jean Jaurès, Léon Jouhaux—that historians (Jean Bruhat, Bernard Georges, Jacques Julliard, Jean Maitron, Madeleine Reberioux, Denise Trintant) and the Bourse's general secretary, Jean Braire, have sought to bring to life a century of social history. The general secretaries of the five major labor federations (André Bergeron, Jean Bornard, Edmond Maire, Jacques Pommateau, Georges Seguy) discuss the origins of the Bourses du Travail, but also address the present and the future.

Filmed in the coal country of West Virginia, "Matewan" celebrates labor organizing in the context of a 1920s work stoppage. Union organizer, Joe Kenehan, a scab named "Few Clothes" Johnson and a sympathetic mayor and police chief heroically fight the power represented by a coal company and Matewan's vested interests so that justice and workers' rights need not take a back seat to squalid working conditions, exploitation and the bottom line.

Stanley Kubrick’s first color film, commissioned by the Seafarers International Union to promote the benefits of union membership. Shot inside the union’s Atlantic and Gulf Coast District facilities, it features scenes of ships, machinery, cafeteria life, and meetings, highlighting the daily routines and camaraderie of seafarers. Thought lost for decades, the film was rediscovered in 1973 and preserved by the Library of Congress.