A Red Color Pencil

There are five grandmothers, four of whom went to Jeonju Prison due to the Jeju 4.3. All of them were young people around the age of 20 at the time of the incident in 1948. The outline of the incident is formed when hearing the experiences of those who were sent to prison without trial particularly as women. The audience feels indescribable emotions by the fact that they have lived on despite what they had gone through, things that are just too much for a human being to bear.

70 years ago, a massacre called ‘Red Hunt’ occurred in Jeju island. Over 6 years, countless lives were murdered in the Daranshi cave, Jungbang waterfall, and Ompang field. There was no line between life and death. There were only ideological and political strategies that surrounded Jeju. After 49 years, survivors can finally testify the memories that could not be forgotten.

A follow-up to 1996's documentary on the massacre at Cheju island, Red Hunt 2 exposes the real facts of the outrage upon personal rights and the brutal butchering occurred 50 years ago. Lives of nine survivors with their grieving testimony expose the horror of six yearlong massacres by Rhee Seung-man regime which still lingers today.

How did South Korea, after liberation in 1945 defend liberal democracy against leftist and communist forces? The door to that secret is now revealed.

In the turmoil of the Jeju 4.3 incident, Jeju Island witnessed the loss of an estimated 25,000 to 30,000 lives, with women constituting a significant yet often unrecognized proportion of the victims. This documentary illuminates the once-shrouded experiences of these women, led by a dedicated Jeju 4.3 researcher.

Confronting half of her mother’s life—her mother who had survived the Jeju April 3 Incident—the director tries to scoop out disappearing memories. A tale of family, which carries on from Dear Pyongyang, carving out the cruelty of history, and questioning the precarious existence of the nation-state.

Immediately after liberation, an incident called 'Jeju Uprising' took place on Jeju Island, the Hawaii of Korea, under the control of the US military government. As a result, about one-tenth of the total population of the island at that time was sacrificed. The children who survived the massacre record the memories of that day in an animated film 70 years later.

The late Kim Dong-il, a Jeju April 3 refugee in Japan, left behind over 2,000 crocheted items and pieces of clothing that preserved her memories, identity, and history. As the film traces the redistribution of her belongings, it illuminates the still-unhealed lives of various Zainichi Koreans who lived through the same era, sharing and connecting their intertwined memories.

Focusing on Mrs. Kang Sang-hee’s life, she lost her husband in the Jeju Uprising (March 3rd, 1948). The film views the dark-side of Jeju Island, a huge grave, which is completely opposite of the other side of the island, the famous tourist attraction. It says that the tragedy has been going on about the recent Gang-jeong village situation.

In 1948, a red wave rose. From Yeosu to Busan, the filmmaker traces lives and memories layered along the sea. The Yeosu-Suncheon Incident erupted when soldiers stationed in Yeosu refused orders to suppress the Jeju 4·3 uprising, and many civilians were killed during the Rhee Syngman government's crackdown. After the Korean War began, the government branded National Guidance Alliance members as communists and carried out massacres nationwide. Beyond the killing sites in both cities lies the sea, along which state violence flowed from Yeosu to Busan.