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In 1964, Algeria, just two years after the end of the war of independence, found itself catapulted into new contradictions, a still rural territory which responded to the modernity brought by the revolution. Filmed during the winter of 1964-1965 by the young director Ennio Lorenzini, it is the first international Algerian production which paints a rare portrait in color of a multifaceted nation, far from the simplistic vision created by the press and the French army. Produced by Casbah Film, Les Mains Libres (initially titled Tronc De Figuier) bears witness to the stigmata of colonization and the future of free Algeria throughout the Algerian territory and reveals the richness of its landscapes and the diversity of its traditions . The documentary, using the aesthetics of militant cinema of the time, is made up of four scenes: Sea and Desert, The Struggle, The Earth, Freedom.
The Kabyle people define themselves first and foremost through the spoken word. Every gesture, every moment of their daily lives can give rise to a language of verse, metaphors, and proverbs. After all, isn't it said that in the mountain foothills they call home, verbal dueling was a common pastime? It is a reality difficult to visualize when one looks at the immigrant society where these men and women—often illiterate—are relegated solely to the roles of manual laborers and housewives; one can hardly imagine the eloquent orators they become when they return to their native tongue.
This film presents the point of view of an Arab from Algeria who rebels against colonization. He analyzes the process of awareness, the transition to revolt, to armed insurrection. Algeria and the settlers are seen through this lens and not the way a Frenchman saw the country. He gives voice to the Arabs at a time when this word was not heard: sometimes it was not even produced, at least publicly. The testimonies are based on real propositions, most of them were made to the author during his stay in Algeria from 1948 to 1956, then in 1958 and 1959. The comments are borrowed from the texts of Arab theorists of the revolution Algerian. This film thus completely evacuates the point of view of those who are not insurgents; he does not give the opinion of the colonists. It is the direct expression of what was the revolt of a colonized person: it thus constitutes the very type of the historical document.
FENEEN is a journey into Senegal's urban music scene. This project was born from the meeting of Italian producer Frank Sativa with Senegalese pop-star Leuz Diwane G and Italian-Senegalese rapper F.U.L.A. This gave rise to a song, a video clip and a documentary with the same name (Feneen). Feneen portrays the current urban and music subculture of Dakar suburbs. The documentary highlights the fundamental rule of the urban subculture in debunking the stereotypical image of the African continent.
Four Spanish-language shorts about the importance and complexity of people's perception from award winning directors. Stories of identity, misconceptions, regrets, dreams and love are told in this diverse collection. Includes: Tenants [Inquilinos] (2018); My Brother [Mi hermano] (2015); Guillermo on the Roof [Guillermo en el tejado] (2018); You Are Not a Woman [Usted no es mujer] (2018).
Between 1954-1962, one hundred to three hundred young French people refused to participate in the Algerian war. These rebels, soldiers or conscripts were non-violent or anti-colonialists. Some took refuge in Switzerland where Swiss citizens came to their aid, while in France they were condemned as traitors to the country. In 1962, a few months after Independence, Villi Hermann went to a region devastated by war near the Algerian-Moroccan border, to help rebuild a school. In 2016 he returned to Algeria and reunited with his former students. He also met French refractories, now living in France or Switzerland.
Just an ordinary suburban family- except that Dad's transgender, Mom's queer, and there are five kids in this minivan. This is one family’s true story of identity, trust, and transformation. Too many transgender kids wonder: Will I be loved? Will I get to have a family? Will it all be ok? Here's the answer: a love story about family, finding your true self, and becoming who you really are.
In 1986, during the Paris-Dakar rally, singer Daniel Balavoine, who was leading a humanitarian operation, was killed in a helicopter crash alongside Thierry Sabine. Nicolas Mathieu, his assistant, Léo Missir, his artistic director, HSH Albert of Monaco, and Charles Belvèze discuss the artist's career and his political and humanitarian commitments. Pierre Fauque and Anne Amado retrace the last moments of his life, from his arrival in Tamanrasset on January 6 to the day of his death in the desert, in the midst of a storm.
The climbing couple Heinz Mariacher and Luisa Iovane abandon their usual winter training spot to go in search of places more conducive to free climbing in Algeria in the Sahara desert, more precisely in the Hoggar massif, which saw pass the cream of world climbing Lionel Terray, Roger Frison-Roche, Lucien Bérardini, Michel Vaucher, Pierre Mazeaud, Guido Monzino, Patrick Edlinger, Patrick Berhault and many others. Their objective, to climb the east face of Garet El Djenoun, 500 m high, failed because the wall was too smooth and the cracks unstable. The journey continues in the Hoggar massif towards other peaks, where they find the climbing conditions they were hoping for. An overhang in the face of Tizouyag Nord will prove to be a major challenge for Heinz Mariacher.