The Afterlife

As a major storm strikes Texas in 1900, a mysterious televisual device is built and tested. Blake Williams’ experimental 3D sci-fi film immerses us in the aftermath of the Galveston disaster to fashion a haunting treatise on technology, cinema, and the medium’s future.

The future belongs to those who control it while humanity has begun to erode. Our every move is being monitored, every action controlled and freedom slips away as an insidious global plan has accelerated by a shadow Elite regime controlled by beings from another world wielding advanced technologies. Manipulation fuels compliance and fear keeps us in line, but as technology evolves so does the power of those who enforce it. The future is now - and it's not what we imagined.

In a forest in Norway, a family lives an isolated lifestyle in an attempt to be wild and free, but a tragic event changes everything, and they are forced to adjust to modern society.

The Mirror Room is a 38-minute hybrid AI + human film by Malaysian artist Armen Jay. Part monologue, part memory ritual, this cinematic experience blends original music, archetypal AI voices, and real-life recovery to explore grief, rebirth, and identity. Premiered at Sunway University in October 2025, now available for stream + download worldwide.

The first film made by Markopoulos after moving to Europe, Bliss was shot over the course of two days using only available light to create a lyrical study of the interior of the Church of St. John on the island of Hydra.

Meet Duewand Collier Jr.-Male, 68 years old, American Citizen, a child conceived in the backdrop of the Philippines-American Mutual Defense Treaty, born and raised with Catholic guilt. He has made peace with his past and now tells his story-a story of love.

Experimental short film exploring New York City's multicultural history through the eyes of three chosen individuals.

From a high school art class to a local radio station, the day-to-day lives of several women coalesce into a poetic documentation of women’s presence and physicality across everyday spaces.

Two layers of mesh overlap on the left. One rotates over the course of a day, its speed shifting gradually. On the right, a single mesh remains still. Digital interference is continuously superimposed onto the physical rotation. Where no rotation occurs, motion persists through digital interference alone. Under different conditions, the two images arrive at similar shimmering forms. The sound drifts with the sky. Tremolo. Pulse.

Made with virtually no budget during COVID-19 quarantine in 2020, IRANIAN LIVES MATTER abstractly recounts the true story of what occurred in Iran during the November 2019 protests, sparked by a surprise hike in gasoline prices, which quickly spread across the entire nation and was subsequently crushed by the dictator's iron fist, resulting in the death of approximately 1500 protesters, as reported by Reuters. IRANIAN LIVES MATTER is an experimental documentary, an audio-visual endurance test that audibly takes its audience through the chaos in the streets of Iran as the brutal regime cracks down on Iranian protesters, while visually showing the hands of the dictatorship as it crosses out 1500 lives one by one to further emphasize the scale of the massacre and show to a world desensitized to news of mass killings in the Middle East what the term "1500 dead" truly means.

Footage filmed in Spain, subjected a new visual effects process. Deslaw devoted himself to the discovery of a new machine that enabled film to be developed while using a new method called solarisation.