Elektro-Lähmung - Ein Film gegen die politische Ohnmacht

The OCEAN is now on tour for the ninth time. This time we are accompanying, among others, 17-year-old Munich surfer Ben Neumann. He proves that it is not only the sea that sometimes seems limitless, but also the human will. Ben is blind and not surfing the famous Eisbach wave is not an option for him. The three Australians Madison Stewart, Alice Forrest and Jordyn de Boer also want to cross borders. They are environmental activists and have one goal: to protect the oceans and their flora and fauna. In "The Power of Activism", they prove that this can also be economically viable and show a possible path into the future of activism. The fact that this future must begin now is impressively demonstrated by the film "Stolen Fish", which tells the story of two Gambian fishermen and a Gambian fish seller. All three are struggling with overfishing off the West African coast. A story about cause and effect and the associated search for a better life.

The remarkable story of The Weather Underground, radical activists of the 1970s, and of radical politics at its best and most disastrous.

A documentary on Queercore, the cultural and social movement that began as an offshoot of punk and was distinguished by its discontent with society's disapproval of the gay, bisexual, lesbian and transgender communities.

Since the first film was made explaining the power of the atom, nuclear technology has made great advances. This film is an up-to-date account of the many areas of nuclear research and recent developments in Canada. It was filmed at the long-functioning atomic reactors at Chalk River and Rolphton, and at the latest and largest atomic power station at Pickering, as well as at laboratories across the land where experimentation is carried out in both pure and applied nuclear science. Produced for the NFB by Crawley Films Ltd. for Atomic Energy of Canada Limited.

An outstanding factor in the efficiency of the CANDU reactor employed in Canadian nuclear power stations is that its construction allows for refuelling while the plant remains in operation, with no necessity for periodic shut-downs. Filmed at the Pickering, Ontario, station, this film clearly illustrates the processes and the advantages of this Canadian feature. Cutaway models and animated drawings are used in the demonstration.

A comprehensive treatment of technical and engineering aspects of Canada's first large nuclear electric power plant at Douglas Point, Ontario. The film shows the design, machining and assembly of component parts, and the special properties of the materials that went into the construction, as well as some of the exhaustive tests that were made before the station went "on power." Produced for the NFB by Crawley Films Ltd. for Atomic Energy of Canada Limited.

An account of the building and bringing into operation of Canada's pioneer nuclear power plant - the Nuclear Power Demonstration Station (NPD), built in northern Ontario as a prototype for larger plants. The film explains the principle of nuclear fission. Produced by Crawley Films Ltd. for Atomic Energy of Canada Limited, Ontario Hydro and Canadian General Electric Company Limited.

A very personal and dynamic meditation on the current global refugee crisis through the eyes and voices of campaigners, specially children, where past and present establish a dialogue. A reflection on the importance of human rights.

A procession from Artists' Campaign to repeal the 8th Amendment of the Republic of Ireland.

The Real Story of Fake Democracy. Filmed over three years in five countries, FREEDOM FOR THE WOLF is an epic investigation into the new regime of illiberal democracy. From the young students of Hong Kong, to a rapper in post-Arab Spring Tunisia and the viral comedians of Bollywood, we discover how people from every corner of the globe are fighting the same struggle. They are fighting against elected leaders who trample on human rights, minorities, and their political opponents.

The “Prophecy of the 7th Fire” says a “black snake” will bring destruction to the earth. For Winona LaDuke, the “black snake” is oil trains and pipelines. When she learns that Canadian-owned Enbridge plans to route a new pipeline through her tribe’s 1855 Treaty land, she and her community spring into action to save the sacred wild rice lakes and preserve their traditional indigenous way of life. Launching an annual spiritual horse ride along the proposed pipeline route, speaking at community meetings and regulatory hearings. Winona testifies that the pipeline route follows one of historical and present-day trauma. The tribe participates in the pipeline permitting process, asserting their treaty rights to protect their natural resources. LaDuke joins with her tribe and others to demand that the pipelines’ impact on tribal people’s resources be considered in the permitting process.