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Self - Narrator (voice)
Amos Gitai returns to the occupied territories for the first time since his 1982 documentary FIELD DIARY. WEST OF THE JORDAN RIVER describes the efforts of citizens, Israelis and Palestinians, who are trying to overcome the consequences of occupation. Gitai's film shows the human ties woven by the military, human rights activists, journalists, mourning mothers and even Jewish settlers. Faced with the failure of politics to solve the occupation issue, these men and women rise and act in the name of their civic consciousness. This human energy is a proposal for long overdue change.
In 2007 Livi, a photography student, moves into an empty building in downtown Haifa. Just before her loneliness urges her to leave, Shahar, Zvi, Iddo and Talia move into that very building - young artists themselves. The friendship ignites in an instant and when Zvi can't pay his rent, they decide to rent a space together, half of which will be Zvi's dwelling and half - an art gallery and bar. The joint work thrives and their voice is heard across the distance, but cracks begin to show, the gallery closes and they disperse. For 12 years, Livi follows their journey to fulfill their dreams as they face the reality of livelihood difficulties, manic depression and alcoholism, unfolding both intimately and lovingly, revealing the story of five friends and their maturing process.
The Israeli filmmaker Shai Corneli Polak records the building of the 'security wall' through Palestinian territory at the village of Bil'in. The villagers protest mostly peacefully, while the Israeli army doesn't react peacefully. By now the Israeli High Court has ruled that the building of the wall was illegal.
The Tank and The Olive Tree recalls a certain number of forgotten fundamentals and sheds new light on the history of Palestine. By combining geopolitical analysis, interviews with international personalities who are experts on the subject and testimonies from Palestinian and French citizens, this documentary offers the keys to understanding what the media call the Israeli-Palestinian conflict. Enough to rid people's minds of clichés and prejudices! If The Chariot and the Olivier is intended to be educational, it speaks above all of a magnificent territory, and of a people who constantly affirm that “to live is already to resist”...
Haunted by the killing by Israeli police of a Palestinian friend from his youth, an Israeli queer filmmaker embarks on a cinematic dialogue across time — confronting memory, friendship, and the genocide unfolding today. In this intimate cinematic letter, Israeli filmmaker Roy Cohen addresses his Palestinian friend and fellow peace activist Aseel Aslih, who was murdered by Israeli police in their youth. Cohen tells Aslih of his experiences navigating a growingly genocidal society and seeks Aslih’s moral clarity and resilience in the evocative letters he had written as a teenager.
Declassified presents the first documentary about Britain's complicity in the Gaza genocide, exposing Keir Starmer's shady spy flight missions for Israel. What does a British base in Cyprus have to do with Israel's genocide in Gaza? Declassified travelled to this Mediterranean island to investigate the hundreds of spy flights Keir Starmer has sent over Gaza, that coincided with Israeli airstrikes and the killing of British aid workers We go where the British media and military experts have refused to look and ask whether this scandal could put Keir Starmer in The Hague.
