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The animated fairy tale tells the story of a woodcutter who cuts down a forest, carves a forest maiden out of one of the trunks and suddenly realises that he has served an evil master all his life. At the last moment, he defies fate and saves the revived tree. The artwork is based on the traditions of Czech puppet film. The plot is underscored by the haunting music of an acoustic guitar.
Independently produced cel-animated film produced by U. Manabuken of Kyushu University, with the cooperation of Manabuken at the time and volunteers from the Animation Research Institute and others. Completed in May 1984 after about 2 years of production. Total number of drawings: approximately 2,000. The work is full of passion for depicting the action of beautiful girls and effects such as explosions and rock splitting, and is a tour de force in terms of drawing and backgrounds, as well as experimenting with filming techniques such as double exposure, transmitted and incidental light, etc. The story, however, is forced, or should not be considered in depth.The extras include some of the settings and moving images, some of the lost cuts, test and play videos, doodles, etc. As the extras, it was introduced in the Dec 83 issue of the animation-related magazine Fan Road
In 1971, graduate student Gloria Orenstein received a call from Surrealist artist Leonora Carrington that sparked a lifelong journey into art, ecofeminism and shamanism. This short film uses art, animation and storytelling to celebrate this wild adventure. Now more than 40 years later, award-winning Dr. Gloria Feman Orenstein is a feminist art critic and pioneer scholar of women in Surrealism and ecofeminism in the arts. Her delightful tale brings alive an often unseen history of women in the arts.
The true story of Charlotte Salomon, a young German-Jewish painter who comes of age in Berlin on the eve of the Second World War. Fiercely imaginative and deeply gifted, she dreams of becoming an artist. Her first love applauds her talent, which emboldens her resolve. When anti-Semitic policies inspire violent mobs, she escapes to the safety of the South of France. There she begins to paint again, and finds new love. But her work is interrupted, this time by a family tragedy that reveals an even darker secret. Believing that only an extraordinary act will save her, she embarks on the monumental adventure of painting her life story.
