Documentary
This film attempts to reveal the reasons behind the death of Pierre Goldman and the identities of his murderers. Reviewing each of the unexplained elements surrounding the murder, the director questions friends and witnesses, travels to Venezuela, Guadeloupe, and Poland and…

Self (archive footage)

Self

Self
Self

Self (narrator)
Self
Self
Self (archive footage)

Self
Self

Self
Self

One night in November 1976, after his car breaks down on a road outside Dallas, Randall Dale Adams accepts a ride from teenager David Harris. Harris is driving a stolen vehicle and, later that night, when Dallas police officer Robert Wood pulls the car over to check its headlights, he is shot and killed. A jury believes Adams is the killer, but stylized reenactments and interviews with key figures, conflicting testimonies and evidence are presented to argue that Adams was framed by a corrupt justice system, ultimately leading to his exoneration.

Widerstandsmomente (Moments of Resistance) carries voices, writings, and objects from the anti-Nazi resistance into the present. Politically engaged women of today respond to historical resistance and make links to current events. A line is drawn from what was before and what is today to what might be: a society based on solidarity without discrimination or exclusion.

She was the first to study gorillas in their natural environment: the high mountains of Rwanda, where she settled in 1967. For nearly twenty years, Dian Fossey lived with the gorillas, observed their behavior, and changed the way people viewed them. Her relentless fight against poaching prevented the species from becoming extinct. But in December 1985, the primatologist was murdered, and the mystery surrounding her death remains unsolved. Former colleagues, scientists, and biographers shed light on the impact of her work, but also on the darker sides of her personality and her uncompromising commitment.

The story of how police repeatedly allowed a serial murderer to slip through their fingers. Stephen Port date-raped and murdered four young gay men in East London within fifteen months and dumped all four bodies within a few hundred metres of each other. The film tells the story through eyes of the families of Port's victims, unpicking how the police failed to properly investigate each of the deaths in turn. The police's assumptions that these young gay men had died from self-inflicted overdoses of chem-sex drugs allowed Port to continue raping and killing innocent young men.

Between January 1st and 31 December 2017, 768 people died as a result of murder or manslaughter in Britain - approximately 14 people a week. This powerful and original film tells the stories of some of those cases, exploring the human cost of murder - the ordinary people whose lives are changed forever and the communities left to wrestle with the consequences. Filmed over 12 months, it follows families and friends from the immediate aftermath of the crime, through the court process, and as they try to rebuild their lives. These stories are shown alongside statistical analysis of homicide figures for Britain since the Millennium, which reveal that so far this century, the pattern of homicides has remained strikingly similar in terms of the profiles of victims and the circumstances of the killing. This urgent, unflinching and intimate film goes beyond individual incidents to ask what the patterns of murder in our time say about the state of Britain.

Black Box BRD steps back into German history, showing the Federal Republic of Germany of the 70s and 80s. The country is polarized due to the power struggle of the German state and the "Red Army Faction". Society is torn, the fronts are irreconcilable. The life stories of both Wolfgang Grams and Alfred Herrhausen are tragically linked to this era. Grams is the one who takes up arms for moral rigor; Herrhausen however seizes power and dies when powerful.

Rosa is a Mexican woman who, at the age of 17, migrated illegally to Austin, Texas. Some years later, she was jailed under suspicion of murder and then taken to trial. This film demonstrates how the judicial process, the verdict, the separation from her family, and the helplessness of being imprisoned in a foreign country make Rosa’s story an example of the hard life of Mexican migrants in the United States.