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A chronicle of the civil uprising against the regime of Ukrainian president Viktor Yanukovych that took place in Kyiv in the winter of 2013/14. The film follows the progress of the revolution: from peaceful rallies, half a million strong in the Maidan square, to the bloody street battles between protesters and riot police.
Throughout time, Eastern Ukraine (such as Donbas) has been referred to as a 'Russian world', but this is indeed not the case. The history of Donbas was re-written during the Soviet era. Although the Soviet Union edited out and withheld all references to the European background of this region from history books in schools and universities. There were, in fact, numerous French, Belgian, German, British, Polish, Swiss, Dutch, and even American settlements and more than 100 wide-scale enterprises in the region. Therefore, this film reveals the pro-European industrialization of Ukrainian Donbas at the turn of the 19th century. It aims to emphasize the European roots of Ukraine long before the official integration process of Ukraine into the EU in 2022.
The film’s story is based on the fate of the Floriculture Pavilion of the former Exhibition of Achievements of the People’s Economy, and its elderly employee Valentyna Voronina, who maintains this space, investing her own life into it, until suddenly changes come to her. After forty-five years of work, she is asked to retire. But Voronina does not agree with that, because she thinks that all the plants will die without her. Meanwhile, a group of mysterious radioesthesists find a channel of positive energy right in front of the entrance to the pavilion.
A group of Russian independent journalists flee the country and navigate life in exile after the invasion of Ukraine, focusing on their dispersed lives and ongoing struggle for truth across different nations. While Part I documented their lives in Moscow facing mounting pressure from the Putin regime, Part II chronicles their forced displacement and new realities in various countries, continuing their mission against authoritarianism.
In the polyphony of voices, a search for home unfolds. What is home? What is its purpose? Is there anything bigger than home? What are the sounds, colours, and smells that let it live in our memory? The collective and the individual is expressed through the voices of those who lost it in the Russian war in Ukraine. Associations, memories, meanings: four letters, four hundred things between them — home.
In 2025, satellites recorded wildfires sweeping through the hills of Hollywood, shifting battle lines in Ukraine, and nearly 600 million people assembling for a sacred pilgrimage along the River Ganges. From orbit, imagery exposed the vast displacement of civilians in Gaza, while reconnaissance satellites traced covert weapons transfers from North Korea to Russia. Scientists also relied on satellite data to count migrating wildebeest and walrus, monitoring the planet’s health. Combined with news archives, eyewitness accounts, user-generated content, and expert analysis, these views from above reveal the hidden story of 2025.
