Comedy / Horror
Three film students attempt to make a horror movie 'blockbuster', but their Hollywood plans get derailed when their very own horror movie slasher escapes the chains of film and script and springs into reality to cause chaos and mayhem upon their neighbourhood on Halloween night.…
Andrew Styles
The Gravekeeper
Adventurous filmmaker Carl Denham sets out to produce a motion picture unlike anything the world has seen before. Alongside his leading lady Ann Darrow and his first mate Jack Driscoll, they arrive on an island and discover a legendary creature said to be neither beast nor man. Denham captures the monster to be displayed on Broadway as King Kong, the eighth wonder of the world.
Teenager Deacon works at a video shop, and his buddies, Fred and Matt, sell the bootleg porno films he acquires. Deacon gets fired, but the pals have the bright idea of filming their own Internet porn flick in order to make money and become more popular at school. Hijinks ensue as they cast and create their movie, but porn industry player Vic Ramalot grows jealous of their burgeoning success and tries to put a stop to the project.
Tony has recently been released from a sentence for violent behaviour. He promises to improve his ways and is finally granted a few hours alone with his two children. They celebrate the reunion by going to the movies to see a new film by the famous, critically acclaimed Danish director Claus Volter. But the film is not the masterpiece it is said to be on the poster; the children are crying and Tony cannot get the money back he spent on tickets and candy. Tony does not give up; he seeks out Claus Volter in order to get an explanation and a refund. It is however easier said than done to get money out of a world-renowned filmmaker.
Back in the early 1970s, at a mental institution near the Russian border, a crazed doctor, Dr. Anderson assumed the persona of "the Auteur," and began murdering his patients while filming the atrocities. Thirty years later, an American film crew has arrived at the hospital to shoot a horror film based on those awful events. The director, Steven, is determined to make the film as realistic as possible, a goal that doesn't seem too far-fetched when his Finnish sound men discover a hidden room in the hospital basement. There, perfectly preserved, are the original snuff films shot by "the Auteur". As Steven's obsession grows, his cast and crew begin to fear for his sanity. But this is only the beginning, because when Steven discovers actual camera used by "the Auteur", he assumes the role of the murderous doctor and the real slaughter begins.
In this dialogue-driven, "second coming of age" comedic drama, Felix has all but given up on his pursuit of becoming a filmmaker when he meets Stella, a down to Earth, chain-smoking cinephile, whose unexpected friendship inspires him to start writing again–and falling for her. Never hesitating to take steps outside of reality through the use of movies within movies, found footage and action sequences, Mountainside is also a love letter to film itself.
Loner Mark Lewis works at a film studio during the day and, at night, takes racy photographs of women. Also he's making a documentary on fear, which involves recording the reactions of victims as he murders them. He befriends Helen, the daughter of the family living in the apartment below his, and he tells her vaguely about the movie he is making.
