No cast information available.

Every winter, a small town in Castilla-La Mancha called Luzón transforms into a little hell. Its inhabitants, dressed as devils, venture into the darkness and roam its streets with horns, bells, and smeared with soot. Una dança non sancta could have been just an anthropological documentary. Instead, it delves into the inferno with the town’s residents to participate in and immortalize this unholy ritual.

An experimental shortfilm in line with "Lux Æterna", showcasing the footage from Cecil B. DeMille's "King of the Kings". A voiceover pronunces word "Relax" in a hypnotic tone, which was Lux Æterna's working title. It was shown only once in Paris at L'Étrange Festival, at the opening of "Lux Æterna".

After concluding the now-legendary public access TV series, The Pain Factory, Michael Nine embarked on a new and more subversive public access endeavor: a collaboration with Scott Arford called Fuck TV. Whereas The Pain Factory predominantly revolved around experimental music performances, Fuck TV was a comprehensive and experiential audio-visual presentation. Aired to a passive and unsuspecting audience on San Francisco’s public access channel from 1997 to 1998, each episode of Fuck TV was dedicated to a specific topic, combining video collage and cut-up techniques set to a harsh electronic soundtrack. The resultant overload of processed imagery and visceral sound was unlike anything presented on television before or since. EPISODES: Yule Bible, Cults, Riots, Animals, Executions, Static, Media, Haterella (edited version), Self Annihilation Live, Electricity.

The story takes place in the year 1977 about the hero fleeing into the forest during the time when soldiers, police suppressed the communists. One day he meets the first villagers, everyone is afraid, but when the hero observes and analyzes that this villager is not disguised. A true villager Little knowledge due to loneliness of having to watch the spot alone, the hero tells the villagers to come back and forth. They are close to each other. It can be seen that only political ideology can divide us. One day the villagers suddenly didn't come as scheduled. The protagonist goes looking for the villagers. making the hero see bad things again

A meditation upon the redemptive power of Christ's crucifixion. The film employs a variety of styles including animation, newsreel footage, hand painted footage, live-action and optical effects. The soundtrack is composed of a wide variety of music including Gregorian chant, Kodaly, Liszt and electronic music.

In February 1944, in a courtyard at Fresnes Prison, the Germans staged a spectacle to stigmatize a group of communist resistance fighters—all foreigners and mostly Jewish—who had been arrested a few weeks earlier. The propaganda aimed to discredit these fighters, portraying them as terrorists and criminals, even though they had managed to carry out numerous attacks against the occupiers in Paris. The red poster, plastered in thousands of copies across the country, would immortalize them in legend. They were subsequently executed at Mont-Valérien, near Paris. Missak Manouchian, the Armenian who led these fighters, now embodies this group in the collective memory as he is enshrined in the Panthéon, on behalf of all his comrades, 80 years after their execution.