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Reynivellir is a representation of the transit that is generated when approaching the art work, described with visual games that can well be evoked by the same brain when witnessing the impossible figures of Jose María Yturralde. Reynivellir is also a beach in a country that is a musical sonnet, and this is so because the mental image does not always connect the articulated parts of a sensation, it is systematic, but aleatory, and it is from these notions of the field of observation, that it approaches and moves away from understanding, linking and unlinking forms, movements, sounds, sensations and knowledge.
This short film is a diploma of a student of the Higher Art School of Vaclav Gollar. Its main theme is dreams, so the plot immerses the viewer in a fantastic world, devoid of the traditional logic of everyday life. The film uses several typical dream motifs that usually provoke panic in the sleepers. The characters find themselves in uncomfortable situations, and as the story progresses, the drama of the events increases more and more, exacerbating the chaos.

Sunmoon is a visual experiment in "blended reality," seamlessly integrating live-action with computer-generated animation. The film follows a young woman's confrontation with her inner selves: Piper, a bionic manifestation of her doubts; Phany, an animal spirit totem; and Sunmoon, her human core. As the timer counts down, poetry and imagination become the only tools left to bridge the gap between digital isolation and human emotion.