North America: Its Plains and Plateaus

It shows the Neretva river from its source to the shores of the Adriatic Sea. The document also captures the original four-hundred-year-old bridge in Mostar.

Documentary film about the Czechoslovak natural science group's expedition to Iceland in June 1948.

Decolonising the Curatorial Process is a forty-minute documentary which explores decolonial strategies in an academic and curatorial context. The film features academics, activists and practitioners, and contains case studies of institutions that are deploying critical, self-reflective forms of curatorial practice. The Museum of London Docklands exhibition on slavery and the sugar industry is examined as an example of how an institution can decolonise the curatorial process, utilise the work of artists in a museum context, and critically examine East London's imperial history. The Pitt Rivers museum in Oxford, who are working with Maasai activists from Kenya and Tanzania on a project centred on repatriating the museum's collection of sacred Maasai artefacts, also features in the film.

Explores the distinctive features of the major rivers of the continent, and discusses their contributions to the farming, recreation, transportation and hydroelectric power of North America.

Uses animation, wave tank, live-action photography, and underwater models to show how waves develop, how coastlines are shaped, and to describe the forces that change the sea bottom.

Host Peter Greenberg explores the hidden gems of Turkey's Aegean coast. Some of the stunning destinations include Bodrum, Izmir and the ancient city of Troy.

Explores the plans for the construction of the monumental dam on China's Yangtze River, the structure that when completed in 2009 will become the Three Gorges Dam. It is slated to be 610 feet high, 1.3 miles across, creating a reservoir 400 miles and the largest power plant in the world.

The interview, held on January 4, 2001, was the last given by Professor Milton Santos, who died from cancer on June 24 of the same year. The geographer is gone, but his thoughts remains. Its political and cultural ideals inspire the debate on Brazilian society and the construction of a new world. His statement is a true testimony, a lesson that the world can be better. Based on geography, Milton Santos performs a reading of the contemporary world that reveals the different faces of the phenomenon of globalization. It is in the evidence of contradictions and paradoxes that constitute everyday life that Milton Santos sees the possibilities of building another reality. He innovates when, instead of standing against globalization, proposes and points out ways for another globalization.