Murder in America: The Lynching of Emmett Till

In contrast to the lens that focuses exclusively on the racist traditions that are rooted in America’s social history, the moral counterweight of close, loving, friendship and collaboration, which have always been present in our history, represents “the other tradition.” This “other tradition” is a source of inspiration and presents models of behavior that are instructional and include unknown and uncelebrated legacies to be absorbed and emulated across generations of present day Americans. The documentary discusses the “better in us” a needed collective perspective in the current climate of national disunity across racial, religious, and political lines. This has significant implications for addressing public issues from immigration to health care and the myriad of governmental, educational, business, and religious challenges that we must successfully meet to weave the fabric of unity which is indispensable to survival as a nation.

In April 1999, three Lakeside brothers murdered a Mexican migrant worker by beating him to death. Producer Lee Harvey spent several months talking with Lakesiders--teachers, social workers, longtime residents and teens who are avowed racists--to unearth the reasons why kids would commit this gruesome crime and why it happened in the peaceful, semi- rural town of Lakeside in eastern San Diego county.

What if this next generation could transcend racism? One year, 12 teens, on a remarkable journey to face racism and white privilege, have the conversations most of us are too afraid to have. Once they push through naivete, guilt and tears, what they learn may change us all.

United States, September 1st, 2016. American football player Colin Kaepernick kneels during the national anthem, protesting police brutality against black people. Part of the population regards the gesture as an unacceptable affront to the flag. Later, he loses his place on his team. Today, however, he is considered by many as a true hero.

Lillian Smith: Breaking the Silence is a 50-minute documentary about the life and work of Georgia writer and activist Lillian Smith (1887 – 1966). This documentary explores her legacy and the life journey that led to her awakening, from her childhood experiences in a small southern town, to her years of living abroad in China, to directing a girls' summer camp in North Carolina. By the time she published a bestselling novel in 1944, her moral compass was finely tuned to the changes needed in the southern U.S., and she spent the next two decades confronting the ugly institution of segregation, saying that it harmed whites as much as blacks. In the decade before her death she wrote about the need for freedom and respect for everyone everywhere.

A Black hitman who models after the samurai of old finds himself targeted for death by the mob.

When Ashtray moves to South Central L.A. to live with his father (who appears to be the same age he is) and grandmother (who likes to talk tough and smoke reefer), he falls in with his gang-banging cousin Loc Dog, who along with the requisite pistols and Uzi carries a thermo-nuclear warhead for self-defense. Will Ashtray be able to keep living the straight life?

Alma W. Thomas lived a life of firsts: the first Fine Arts graduate of Howard University (1924), the first Black woman to mount a retrospective at the Whitney Museum of American Art (1972), and the first Black woman to have her paintings exhibited in the White House (2009). Yet she did not receive national attention until she was 80.

Twenty-five years after the verdict in the Rodney King trial sparked several days of protests, violence and looting in Los Angeles, LA 92 immerses viewers in that tumultuous period through stunning and rarely seen archival footage.

A roller-coaster ride through the history of American exploitation films, ranging from Roger Corman's sci-fi and horror monster movies, 1960s beach movies, H.G. Lewis' gore-fests, William Castle's schlocky theatrical gimmicks, to 1970s blaxploitation, pre-"Deep Throat" sex tease films, Russ Meyer's bosom-heavy masterpieces, etc, etc. Over 25 interviews of the greatest purveyors of weird films of all kind from 1940 to 1975. Illustrated with dozens of films clips, trailers, extra footage, etc. This documentary as a shorter companion piece focusing on exploitation king David F. Friedman.

A charismatic Indian-Nepali boy, lives a bohemian life in a remote Himalayan village. As he transitions from childhood to teenagehood, his poetic journey of perseverance echoes issues that span across ages and communities.